{"title":"TWEAK Distro Top 100 Records","description":null,"products":[{"product_id":"ruby-gill-i-m-gonna-die-with-this-frown-on-my-face-lp-black-vinyl","title":"Ruby Gill \/ I’m gonna die with this frown on my face LP Black Vinyl","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRuby Gill 'I’m gonna die with this frown on my face' LP Black Vinyl \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFour years since she first took the airwaves by storm, South African\/Australian songwriter Ruby Gill has announced the forthcoming release of her long-awaited debut album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eI’m gonna die with this frown on my face\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e - to be launched worldwide on 2 September 2022. Recorded in Naarm\/Melbourne alongside Tim Harvey (Lisa Mitchell, Emma Louise, Jade Imagine), the 12-track LP announces Ruby Gill as a songwriter with bounds of craftsmanship at their disposal, laced with critique and catharsis against the corporation, Australia’s border security policies and a general exploration of loss, birds and learning to breathe.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e1. I forgot to be profound today\u003cbr\u003e2. Anchor\u003cbr\u003e3. Stockings for skating\u003cbr\u003e4. I’m gonna die with this frown on my face\u003cbr\u003e5. Public panic attacks\u003cbr\u003e6. Dirty work \u003cbr\u003e7. In time with the engine turning over\u003cbr\u003e8. Cinnamon\u003cbr\u003e9. Calling out\u003cbr\u003e10. Borderlines\u003cbr\u003e11. Champion Ruby\u003cbr\u003e12. All the birds under the Westgate\u003c\/p\u003e","brand":"Ruby Gill","offers":[{"title":"Default Title","offer_id":41810195349676,"sku":"RUGI03","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/products\/Ruby-Gill-black-vinyl.png?v=1658210640"},{"product_id":"kosmetika-illustration-lp-pink-vinyl","title":"KOSMETIKA \/  Illustration LP Pink Vinyl","description":"\u003cstrong\u003eKOSMETIKA 'Illustration' LP Pink Vinyl\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePink pressing limited to 100\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReverse board jacket w\/ gatefold insert\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePressed in Melbourne by Zenith Records\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpoilsport Records are ecstatic to announce the second album from Kosmetika, ‘Illustration’. Following on from their debut LP ‘Pop Soap’, released in 2019 through independent Melbourne label Roolette Records, the band refresh their eccentric psych pop origins with an 11 track venture into DIY new-wave, art-rock and synth-heavy pop hits.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnable to work on music as the five-piece band, co-founders Michael Ellis and Veeka Nazarova started working on ‘Illustration’ as a home recording project. Recorded entirely by Ellis, with the finishing touches provided by Sam Harding on mixing and Mikey Young on mastering, the album has the quality of a lost release from the 80’s underground, equally as poppy as it is exploratory and strange. With Nazarova taking the reins as the sole vocalist on the record (departing from the dual lead vocalists of ‘Pop Soap’) and the lyrics switching between English and her native tongue of Russian, the record feels simultaneously pensive, imaginative and enigmatic.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTaking heavy inspiration from shoegaze, dark\/synth wave and Russian gothic pop music, ‘Illustration’ is led by captivating synth sounds, intricate drum machine, melodic basslines and odd-form structures while maintaining their usual pop sensibilities. ‘Psycho TV’\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand ‘Mne Nadoeli’ showcase the band delving deeper into this territory of abrasive industrial sounds, while tracks such as ‘Mokryj Asphalt’ hold steady in their power pop knack with an instantly singable chorus. Sitting somewhere in between, Kosmetika still maintain their krautrock-inspired origins, clinging to motorik beats and sharp synth melodies like in ‘Eighty Four’ or ‘Opaque’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIllustration is painted with a broad brush but woven into something unique and cohesive, and with this record Kosmetika have managed to make a modern underground new-wave pop gem.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003cbr\u003e","brand":"KOSMETIKA","offers":[{"title":"Default Title","offer_id":42537281257644,"sku":"KOSMETIKA","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/products\/PINK.png?v=1682081574"},{"product_id":"lower-plenty-no-poets-lp-vinyl","title":"Lower Plenty \/ No Poets LP Vinyl","description":"\u003cstrong\u003eLower Plenty 'No Poets' LP Vinyl\u003c\/strong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThis spring, Australia’s much loved strummers of outsider folk return with their fifth studio album, \u003c\/span\u003e\u003cspan\u003eNo Poets\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\n\u003cdiv\u003e\n\u003cspan\u003eBut\u003c\/span\u003e\u003cspan\u003e Lower Plenty\u003c\/span\u003e\u003cspan\u003e are poets. They give us prose on power, words on distance and stories of defeat. This is everyday prose but not the banal stuff. Lessons of triumph are delivered in a haze of self-deprecation. Time wasters are celebrated. Honest admissions from the pretenders are elevated. In this honesty, Lower Plenty are always present. That’s why their music feels so close.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe familiar names of their previous albums ring like a litany of bad memories. \u003c\/span\u003e\u003cspan\u003eMean, Hard Rubbish, Life\/Thrills, Sister Sister.\u003c\/span\u003e\u003cspan\u003e Modern classics. Someone to tell your story. Someone to make you feel like you have a voice, like the years spent marking time won’t be forgotten; someone to remember that you were here. And on this album, healing, grief, tears, dragging it out. It drags. This dystopia we're living in drags on but there’s the motivation to change. Not blind hope, not stupor, but change.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe songwriting on \u003c\/span\u003e\u003cspan\u003eNo Poets\u003c\/span\u003e\u003cspan\u003e is steeped with the space intertwining acoustic guitars allow. By relying on these thin melodies to hold together the compositions, the potential for \u003c\/span\u003e\u003cspan\u003eNo Poets\u003c\/span\u003e\u003cspan\u003e to run off the rails is real but Lower Plenty appear at their most concrete. Central to this cohesiveness is Sarah Heyward and Daniel Twomeys’ percussive dialogue which expands here. These sturdy rhythms float amongst Heyward’s uneasy sonic hazes. Get ready to spend aimless afternoons listening to this record. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\n\u003cdiv\u003e\n\u003cspan\u003eNo Poets\u003c\/span\u003e\u003cspan\u003e was recorded from 2020 to 2022. The initial tracks were recorded in a northern suburbs storage unit by the band themselves. No poets. Jewellers, teachers, builders, paper pushers.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ci\u003e\u003cbr\u003e\u003cspan\u003eNo Poets\u003c\/span\u003e\u003cspan\u003e is a beautiful record and one that reminds us why we still try. Find it everywhere on Friday, October 6, 2023.\u003c\/span\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e","brand":"Bedroom Suck Records","offers":[{"title":"Default Title","offer_id":42713067028652,"sku":"BSR-109","price":48.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/LOWER-PLENTY-FRONT.png?v=1693180643"},{"product_id":"way-dynamic-duck-lp-mystery-recycled-colour-vinyl","title":"Way Dynamic \/ Duck LP Vinyl","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWay Dynamic 'Duck' LP Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWay Dynamic is spearheaded by Dylan Young, Melbourne engineer and producer with a long list of outstanding albums he’s associated with. Most recently co-producing Cool Sounds record ‘Like That’, as well as playing in the live band for Snowy Band.\u003c\/p\u003e\n\u003cp\u003e‘Duck’ follows Young's exceptional debut album ‘So Familiar’, a folk rock odyssey released via legendary Australian label Spunk Records. The new LP starts where the first finished, a little bit Nillson or Newman, a little bit Beach Boys or Bolan, but ultimately it’s Young’s own mash up of influences to create a beautifully melodic and textured record. The album, co-produced by Good Morning’s Stefan Blair, relishes in its own absurdities, stupidities and combines them with intensely beautiful melodies, wonderfully juxtaposed.\u003c\/p\u003e\n\u003cp\u003eDuck traverses through a range of Young’s songwriting abilities, with opening song ‘Doctor Doctor’ and ‘Pray For Me Now’ showing off their groove focus, whereas first single ‘Material’, ‘One Of A Kind’ and ‘Sports’ show off this oddball pop songwriting knack while remaining incredibly catchy.\u003c\/p\u003e\n\u003cp\u003eYoung’s affinity for tender compositions shine through on ‘We Are All Alone’, as well as album highlight ‘Candlelight’ featuring a wonderful baroque pop string section arranged by Chloe Sanger, feeling as if it were pulled from a Lee Hazlewood session that was left on the chopping room floor.\u003c\/p\u003e\n\u003cp\u003eIn combination, Way Dynamic show off a diverse and interesting 10 tracks of minimalist folk-pop, with thoughtful instrumentation cementing Young as one of Melbourne’s best songwriters.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e1. Doctor Doctor \u003cbr\u003e2. One Of A Kind \u003cbr\u003e3. Material \u003cbr\u003e4. Candlelight \u003cbr\u003e5. Pray For Me Now \u003cbr\u003e6. Sports 02:54\u003cbr\u003e7. Candy's Lament \u003cbr\u003e8. Ducks Marching \u003cbr\u003e9. We Are All Alone \u003cbr\u003e10. 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Though at the core of it all, The Stems wrote some awesome songs, made great records and put on exciting live shows. Debuting in 1985 with their break-through double A-side single She’s a Monster\/ Make You Mine, The Stems rode the top of the Australian Independent charts from 1985-1987 with each subsequent release. Tracks like Make You Mine, Tears Me in Two and Love Will Grow mark them out as one of the truly great Australian acts of the Eighties. \u003c\/p\u003e\n\u003cp\u003eMushroom Soup - The Citadel Years has been remastered and repackaged and brings together the band's break-through singles, their debut EP Love Will Grow and a selection of demos and outtakes. This collection captures a great band at the peak of its powers. \u003c\/p\u003e\n\u003cp\u003eThe vinyl edition features all the classic singles and the Love Will Grow EP that have been long out of print since their release. It also features 4 additional tracks (No Heart, She's Fine, On and On and Don't Let Me) on vinyl for the first time, faithfully remastered and available in glorious green, pretty purple or traditional black. \u003c\/p\u003e\n\u003cp\u003eThe track No Heart was initially a contender for the Love Will Grow Ep and She’s Fine was to be their last single with Citadel but was shelved when the band moved across to the Mushroom label.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eTears Me In Two\u003cbr\u003eMake You Mine\u003cbr\u003eShe’s A Monster\u003cbr\u003eCan’t Resist\u003cbr\u003eNo Heart\u003cbr\u003eLove Will Grow\u003cbr\u003eJust ‘Aint Enough\u003cbr\u003eJumping To Conclusions\u003cbr\u003eUnder Your Mushroom\u003cbr\u003eShe’s Fine\u003cbr\u003eDon’t Let Me\u003cbr\u003eOn And On\u003cbr\u003e\u003c\/p\u003e","brand":"Cheersquad Records \u0026 Tapes","offers":[{"title":"Default Title","offer_id":43618270118060,"sku":"CRT124","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/mushrrom-black.png?v=1719461659"},{"product_id":"delivery-forever-giving-handshakes-lp-recycled-vinyl","title":"Delivery \/ Forever Giving Handshakes LP Recycled Vinyl","description":"\u003cp\u003e\u003cstrong\u003eDelivery 'Forever Giving Handshakes' LP Recycled Vinyl\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBoth broadening and defying the sounds of their first two 7” releases, Delivery continue their claim for the title of hardest and fastest working band in town on their debut full length LP ‘Forever Giving Handshakes’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCollecting songs written over the Melbourne five-piece’s two year lifespan and following on from the band’s bedroom project origins of ‘Yes We Do’ and the expanded one-two punch of ‘Personal Effects\/The Topic’, ‘Forever Giving Handshakes’ captures Delivery at full force for the first time, leaning into the fully-realised live sound they’ve been quite actively working on since their first show in March 2021. Here the band collate a 12-track garage-punk opus, their five distinct voices simultaneously pulling songs in different directions while an undeniable chemistry reveals a combined hive mind ascending on a clear group mission… to rock. If you didn’t have the Delivery phenomenon yet, you’re about to.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMarking the beginning of a victory lap for Delivery, the album rounds out a sprint of unrelenting live shows, impressive support slots and two stellar 7”s, all within a tidy 18 months. ‘Forever Giving Handshakes’ is a statement from Delivery and one of the strongest Australian punk debut albums of the past decade.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***Vinyl colour may differ to image.***\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eA1 Picture This\u003cbr\u003eA2 Poor-to-Middling Moneymaking\u003cbr\u003eA3 Baader Meinhof\u003cbr\u003eA4 Office Party\u003cbr\u003eA5 No Homes\u003cbr\u003eA6 The Complex\u003cbr\u003e\u003cbr\u003eB1 Lifetimer\u003cbr\u003eB2 Wear It Well\u003cbr\u003eB3 No Balconies\u003cbr\u003eB4 Born Second\u003cbr\u003eB5 Good\u003cbr\u003eB6 Best Western\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Delivery","offers":[{"title":"Default Title","offer_id":44066220867756,"sku":"SSR020-RECYCLED","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/products\/DELIVERY.png?v=1676349168"},{"product_id":"the-pretty-littles-force-12-black-vinyl","title":"The Pretty Littles \/ FORCE 12\" Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eThe Pretty Littles FORCE 12\" Black Vinyl\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: arial, sans-serif;\"\u003eThe Pretty Littles release their 7th album and first in 5 years: Force. It's the first record with new members Sam, Liam and JP all members of the terrific Melbourne band Neighbourhood Youth. The record contains expressions of\u003c\/span\u003e\u003cspan id=\"m_431514090126814718m_8571845734867537608m_805528157174281220m_-5010239761096180520m_7424910169780648513gmail-docs-internal-guid-54d4791b-7fff-43ae-0ddf-5d6b34659388\"\u003e\u003cspan\u003e sadness, triumph, reflection, discontent and anger all compiled for your listening pleasure. Named Force less because of the song and more because it was a square peg smashed into a round hole - a bastard to make and a hill to die on.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eTrack listing:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003e1. Big Fuck Small\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003e2. Possum\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003e3. Darky Gardiner\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003e4. Force\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\"\u003e5. Australian Dream\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\"\u003e6. Pillar of Smoke\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\"\u003e7. Full Hearts\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\"\u003e8. Teenagers\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\"\u003e9. Nothing To Do\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\"\u003e10. Taking On Water\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"Endless Recordings","offers":[{"title":"Default Title","offer_id":44081185751212,"sku":"END28","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/ThePrettyLittlesLP.png?v=1738044379"},{"product_id":"smoked-salmon-smoked-salmon-12-black-vinyl","title":"Smoked Salmon \/ Smoked Salmon 12” Black Vinyl","description":"\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSmoked Salmon \/ Smoked Salmon 12” Black Vinyl \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIt was January 2020, Black Summer, and I was asked to play a fundraiser for the firefighters battling the ongoing hell ravaging Victoria and NSW. For this show at Fitzroy’s Old Bar I recruited long time friend and musical polymath \u003cb\u003eClare Moore\u003c\/b\u003e on drums and backing vocals and the ever-ready always excellent \u003cb\u003eJeff Hooker \u003c\/b\u003eon bass. They both had extensive experiences with my repertoire. For my set I focussed on ‘the hits’…. or ‘the shit’.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e‘Smoked Salmon’ might have been an obvious choice of band name for me years ago, but this situation was ultimately the prompt for me!\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCome February, Clare wasn’t available so by the time the next gig or two showed up I had \u003cb\u003eDoug Galbraith\u003c\/b\u003e, my biographer and drummer, as well as the fab singer guitarist and keyboard composer \u003cb\u003eClaire Birchall\u003c\/b\u003e in tow along with Jeff Hooker. Somehow, we managed to secure a run of shows in Melbourne, Adelaide and Perth.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eClaire had a stunning solo electro album just out called \u003ci\u003eRunning in Slow Motion,\u003c\/i\u003e so I brought her along as the opening act and she played in Smoked Salmon with various ‘on the ground’ players like \u003cb\u003ePete ‘The Stud’ Howlett\u003c\/b\u003e, \u003cb\u003eSarah ‘Shakey McGee’ Potaro\u003c\/b\u003e, \u003cb\u003ePete Stone\u003c\/b\u003e and \u003cb\u003eTodd Pickett\u003c\/b\u003e who I’d amassed over the states, even countries, promoting my last ‘solo’ record, \u003ci\u003eMy Script\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eHaving forever been in a three, two piece or solo format, it was good to go out and represent such songs as \u003ci\u003eCool Fire, Come on Spring, Frantic Romantic\u003c\/i\u003e or even \u003ci\u003eFire Escape\u003c\/i\u003e with a ‘full’ arrangement. Going by the punter’s reactions it was as though I had a whole new band, repertoire and concept, and in fact I did. Why hadn’t I been doing this all along?\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThen COVID happened!\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIsolation… what to do… I focused on what I was doing back in 1975 before Punk Rock hi jacked me with an ‘alternative’ career which was… Art. ie painting. It kept me stimulated… occupied… out of trouble.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBack in the post COVID world the gigs gradually came back. The reaction to Smoked Salmon was always fantastic.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn 2022 Doug drove Claire and I up to NSW for a tour where we picked up NSW bass player \u003cb\u003eSam Worrad\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn 2023 Doug managed to organise a Japanese tour for January 2024 utilising Sam’s experience and contacts there. In preparation the Melbourne lineup booked into Collingwood studio Rolling Stock with \u003cb\u003eMyles Mumford\u003c\/b\u003e to produce a 12” EP specifically for that trip. I titled it \u003ci\u003eThe Antenna of Beastly Science\u003c\/i\u003e. Aside from the old repertoire of songs that we ‘covered’ we also recorded a couple of new songs; \u003ci\u003eHow Did They Ever Manage\u003c\/i\u003e and \u003ci\u003eMaybe \u003c\/i\u003efor later. They’d been tapping on my car window and so I memo’d them to later flesh out with melody and chords. Smoked Salmon ate them up!\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn October 2023 at the end of a UK Euro tour with the Scientists my partner Maxie and I booked ourselves a holiday in Italy and France, but not before our dear friend and sometime Salmon drummer \u003cb\u003eDimi Dero\u003c\/b\u003e could subvert it with a run of French dares utilising himself, French bassist \u003cb\u003eDelphine Ciampi\u003c\/b\u003e and now Doug on guitar and keyboards under the ‘Smoked Salmon (in 3D)’ banner.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eI got him to book us into Le Stereodrome Studio in his hometown Perpignan after the last date. The engineer was \u003cb\u003eSylvain Philipon\u003c\/b\u003e. Despite my poor French and his slightly better English he ‘got’ what we were doing and captured it to perfection.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ePrior to departure on this trip two more songs had been ‘banging on my door’ and in the recording session we got those down. They were \u003ci\u003eGhosts of Tomorrow\u003c\/i\u003e and \u003ci\u003eHell in a Handbasket\u003c\/i\u003e. Also I had some chords I jammed at soundcheck at the start of the tour in Le Petit Bain.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDimi had remarked that there wasn’t a ‘sad’ song in the Salmon oeuvre and this one later became \u003ci\u003eTriste Realite\u003c\/i\u003e at this suggestion. As well, Delphine had a bass groove that we all jammed on. This would turn into \u003ci\u003eHey Hey Narcissus\u003c\/i\u003e back in Myles’ studio.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn December 2023 I attempted to get Todd and Pete into Fremantle Studio Rada but COVID got Todd so I had to can the session. I’d worked up three sketches for them but decided to use them in a session with the NSW\/Japan line up, which I booked into Headgap with \u003cb\u003eFinn Keane\u003c\/b\u003e in March 2024 when Sam was next down in Melbourne with his band Holy Soul. The songs were still half written and so I directed the band to play them into forms that I could add the final lyrics, even melodies to in a later session.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCome April after a Perth date with the Beasts, I was in Fremantle for take 2 of the Perth line up. Pete couldn’t make this one so \u003cb\u003eJozef Grech\u003c\/b\u003e the engineer fill in on bass, recording himself, Todd and I. My sketches were even looser than the Headgap ones, but Jo’s whiteboard stills enabled him to organise all my ‘bits’ into a form which all three of us could read as we tracked. Who’d a thought it! After all these years as supposedly a ‘pro’, tracking music as I was reading it! I’m sure my ‘punk licence’ will be revoked.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMay was spent in Headgap and Rollingstock tracking vocals and extras. 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The sort of pop that can cause hearing problems that is - the Hard-Ons wouldn't have it any other way. \u003cbr\u003e\"I Like You A Lot Getting Older' clips you around the ears and showcases a band in their 40th year with no intention of slowing down. \u003cbr\u003eOver the years, the Hard-Ons have won the vocal support of artists like Dave Grohl, AC\/DC's Malcolm Young and Jello Biafra amongst countless others. They’ve influenced not only subsequent generations of punk bands but a wide-ranging groundswell of Australian alternative artists – from You Am I to Spiderbait to Silverchair to Regurgitator to Magic Dirt to Powderfinger to the Dirty Three to The Chats – each of whom have been inspired by the Hard-Ons’ energy, free spirit and uncompromising dedication.\u003cbr\u003eAlong with the new album, the Hard-Ons are celebrating their 40th anniversary with a European tour, Australian tour and feature length documentary film 'The Most Australian Band Ever'.  Get to it!\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eI Like You A Lot\u003cbr\u003eBuzz Buzz Buzz\u003cbr\u003eThese Days Are Long\u003cbr\u003eHappy Accidents\u003cbr\u003eBecause You’re Mine\u003cbr\u003eFinders Fee\u003cbr\u003eGetting Older\u003cbr\u003eThe News That Fits\u003cbr\u003eOperation Lightning\u003cbr\u003eRide To The Station\u003cbr\u003eDoesn’t Look Like Me At All\u003cbr\u003ePushover\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Cheersquad Records \u0026 Tapes","offers":[{"title":"Default Title","offer_id":44120791122092,"sku":"CRT231-GREEN","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/HardOnsGreen.png?v=1739144049"},{"product_id":"the-5-6-7-8-s-best-hits-of-the-5-6-7-8-s-limited-edition-opaque-white-12-vinyl-pre-order","title":"The 5.6.7.8’s \/ Best Hits of The 5.6.7.8’s Limited Edition Opaque White 12” Vinyl","description":"\u003cp\u003e\u003cstrong\u003eThe 5.6.7.8’s \/ Best Hits of The 5.6.7.8’s Limited Edition Opaque White 12” Vinyl\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eStraight outta Tokyo, The 5.6.7.8’s mix it up with a wild cocktail of rockabilly vibes, garage rock grit, and punk punch.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eTo celebrate their upcoming Aus tour, Cheersquad Records \u0026amp; Tapes present ‘Best Hits of The 5.6.7.8’s’ featuring 14 blistering tracks from across their career.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eKickin’ off in ’86, sisters Yoshiko “Ronnie” Fujiyama and Sachiko have been the beating heart of this outfit. 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Across five albums to date, Cool Sounds’ shapeshifting indie rock blends 80s pop, cheerful funk, and alt-country, all with a lightness of touch that disguises Lacey’s thoughtful, perceptive songwriting. Deeply embedded within the wider Melbourne jangle community but totally in their own pocket, Cool Sounds make music that will make you smile.\u003cbr\u003e\u003cbr\u003eDain says of the new record: \"It’s a road album that captures scenes and stories from playing shows and traveling around Europe and the US. It includes near-death experiences and a sense of being thankful to be alive, a rough weekend in Vegas, oversharing Uber drivers, friends falling in love, a detailed account of buying a musical instrument ('And That’s How I Got the Congas')...\"\u003cbr\u003e\u003cbr\u003eJoined by Dylan Young (Good Morning, Way Dynamic, Snowy Band), Dain recorded the album in his Melbourne apartment over a few weeks: \"We tried to make it sound like a collage full of fun and youthfulness, drawing inspiration from Gorillaz, Phoenix, Bruce Hornsby, college radio, and The Avalanches\". The album features an abundance of sampling, which isn’t new for Cool Sounds, but instead of samples being in the periphery of the songs like in past releases, here the band revels in their playfulness by putting them front and centre.\u003cbr\u003e\u003cbr\u003eTRACKLIST:\u003cbr\u003e1. Just A Dream\u003cbr\u003e2. And That's How I Got The Congas\u003cbr\u003e3. Pompeii\u003cbr\u003e4. Looks Like You\u003cbr\u003e5. 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The sound of goofy obnoxiousness will soon be permeating your bedroom airwaves and perforating your eardrums. \u003c\/p\u003e\n\u003cp\u003eKicking off this long player is an EP that was recorded by Billy from Anti Fade in his childhood bedroom in July 2017. The songs came to fruition while AUSMUTEANTS were on tour in Japan 2016. There was a lot of ‘WALLABY BEAT’ \/ ‘MURDER PUNK’ being played in the background while seeing the sites of Mount Fuji and ‘Bar Fuck Yeah’. In between shows Jake was organising the release of DANNY GRAHAM and PLASTIC AND THE EP’S records on the label he co-ran XEROX MUSIC. Both artists played parts in the sound and ethos of the PANEL BEAT EP. The goal was to make the songs sound unapologetically Australian without pretending to be something they’re not. There’s no fake accents or songs about VB and mullets. Instead, there’s songs about every day struggles, like dealing with fickle fashion followers, having too many fucking records, playing PlayStation, resentment and manipulation. 500 copies were pressed and self released, with a photo slipped inside each copy at random. Next is THE DEATH OF THE VINYL BOOM which was self recorded in a shed in November 2017. This is the only Alien Nosejob release (besides this comp, smartarse) to feature a cover - Flyblown by Adelaidean arty weirdo band JACKSON ZUMDISH. The idea behind this EP was to incorporate the simplicity and scrappiness of the late 70’s DIY Australian sound, but give them the complicated structures of prog songs. Scum stats - 500 copies, self released. Several copies were smeared with Jake’s blood and had smashed pieces of vinyl glued to the front cover. Now we have a cover of the DEAD KENNEDYS. The conspiracy theorist wet dream Government Flu. Recorded September 2020 during lockdown in one-man-band with a tape recorder fashion for a 20 minute unedited ‘live set’ video where all instruments were played one by one, sung and mixed in the space of a couple of hours. \u003c\/p\u003e\n\u003cp\u003eThe HC45 7” was recorded at the same time as a disco 12” maxi, which I hear were originally meant to come out on the same day. Shit happens I guess? This EP came out in Feb 2020 and sounds somewhere between early GANG GREEN, DIE KREUZEN and the BEASTIE BOYS old bullshit. Self recorded on a 4 track with a broken pinch roller. Lyrically this thing is cynical and choc-a-bloc full of satire and hate. A year later a sequel was recorded the same way, on the same machine. No fucking disco this time though. Cold Bare Facts is the most recent recording on this comp. Self recorded in Jake‘s bedroom 2022 It has the same mid paced tempo as DYS or SSD when they’re at their slowest (pre-Boston Curse, of course!). Both songs take a stinky shit on the Australian state police. 300 copies. Finishing the record is a cover by THE AINTS. Originally written by ED KUEPPER for THE SAINTS Eternally Yours album, but it sounded too similar to Lost and Found. Originally released on ‘ALTA’ cassette compilation during the lockdown.\u003c\/p\u003e\n\u003cp\u003eFORCED COMMUNAL EXISTENCE binds this mouthful of releases into one neat package from June 6th, 2025. Catch the ALIEN NOSEJOB band on tour in Europe \u0026amp; UK from June 13 - July 2nd, 2025.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e01. Family Dinner\u003cbr\u003e02. Clear the Clutter \u003cbr\u003e03. Tired \u003cbr\u003e04. Guilt and Blame\u003cbr\u003e05. Caffeine OD\u003cbr\u003e06. Flyblown\u003cbr\u003e07. Sydney Sizzles\u003cbr\u003e08. Over the Bridge\u003cbr\u003e09. Government Flu\u003cbr\u003e10. I Still Call this Punk Scene my Home\u003cbr\u003e11. Bond Clean\u003cbr\u003e12. Explosives in the Headlights\u003cbr\u003e13. Chemical Solution\u003cbr\u003e14. Cabanossi\u003cbr\u003e15. The Scene Expands \u003cbr\u003e16. Opinionated Fuck\u003cbr\u003e17. Nothing Ever Goes Your Way\u003cbr\u003e18. Fatal Collision\u003cbr\u003e19. Circular Motion\u003cbr\u003e20. Beyond the Pale\u003cbr\u003e21. The Executioner \u003cbr\u003e22. West Side Story\u003cbr\u003e23. 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The release is set for August 1, and the LP will released in black, and limited edtion yellow \u0026amp; black pizza pie (100 only) editions as well as on CD. Known for his work with Paul Kelly \u0026amp; the Messengers and with Diesel in Wilson Diesel, as well as involvement with the likes of Hunters \u0026amp; Collectors, Harem Scarem and punk legends X as well his own band the Crown of Thorns and his brilliant solo work, Wilson passed away on January 16 2019.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003eCheersquad's 2021 reissue of Wilson's classic Live at the Continental album debuted at #19 on the ARIA album chart and came in at #20 on the Year End ARIA Blues \u0026amp; Roots chart. Ahead of the reissue, in December 2020, Wilson was induced to the Music Victoria Hall of Fame by his old friend Paul Kelly.\u003cbr\u003e\u003cbr\u003eArriving in 2002 off the back of the 2000's Rhythms Magazine \"Best Blues Album\" Award-winning Spiderman album, King For A Day was the first fully original Chris Wilson since the ARIA-nominated classic Long Weekend in 1998. The eagerly awaited album was the first release on Wilson's newly established Forge label (named after his two boys Fenn and George) and again featured long-time guitarist Shannon Bourne \u0026amp; drummer Dave Folley, along with Chris Rogers on bass, Kerryn Tollhurst, Cindy Boste, Sarah Carroll and Skip Sail.\u003cbr\u003e\u003cbr\u003eChris Wilson was a giant of Australian blues and roots music. A big man with a big voice and an even bigger heart, he followed in the footsteps of early pioneers like Dutch Tilders, Matt Taylor and Broderick Smith (and led the way for the likes of Jeff Lang, Ash Grunwald and the Teskey Brothers) and took his feeling for blues into the rock and punk worlds, eventually becoming the heart and soul of Melbourne’s legendary thriving live scene.\u003cbr\u003e\u003cbr\u003eWilson began his career with the pub R\u0026amp;B\/soul rocking Sole Twisters before joining heavy hitting post-punk blues enthusiasts Harem Scarem in time for their revered Pilgrim’s Progress album  - taking centre stage with his harp on their burning version of Iggy \u0026amp; The Stooges' “Open Up \u0026amp; Bleed” amongst other great tracks -  in 1986. He was known initially as an instrumentalist; he was often seen with a sax hanging off his neck but it was his harp playing that quickly drew attention. In the late ‘80s and early ‘90s, he was adding harp to the work of friends Hunters \u0026amp; Collectors (he played on 1987’s What's a Few Men), Crowded House on their album Woodface, punk-rock legends X, and most famously, Paul Kelly \u0026amp; The Coloured Girls (and most famously there on \"Dumb Things”), with whom he undertook a 45-date North American tour. \u003cbr\u003e\u003cbr\u003eSoon enough Chris found his voice upfront of his own group, Crown of Thorns. And what a voice it was; a rich, elastic baritone that fearlessly traversed areas that few since Tim Buckley had ventured through.  At the same time Wilson also made his mark as a songwriter, and seemingly overnight he became the complete package.\u003cbr\u003e\u003cbr\u003eLocal success for records by Crown of Thorns and another project, The Pubdogs, featuring “Evil” Graham Lee of Triffids\/Coloured Girls fame – all released on a label run by 3RRR’s revered blues DJ Max Crawdaddy - led to a deal with Mushroom's Aurora label, home also to Archie Roach. Debut solo album Landlocked followed and in 1993 he was nominated for best male artist and breakthrough artist at the ARIAs. That in turn was followed by Live at the Continental, which soon became his fans’ favourite, and which had a deep resonance with many.\u003cbr\u003e\u003cbr\u003eIn 1996, Mushroom paired him up with Diesel as Wilson Diesel for the hugely successful Short Cool Ones - a top 20 smash. The sprawling double CD The Long Weekend followed in 1998 and showed the huge potential of his appeal to an audience of pub-going rock fans who grew up on the Dingoes and Cold Chisel and the like. Along the way Chris opened for both Bob Dylan (who sought him out backstage to shake his hand) and Elvis Costello and earned himself a clutch more ARIA nominations.\u003cbr\u003e\u003cbr\u003eChris soon turned away from the spotlight, preferring to play local and hang with his young and also musical family; wife Sarah Carroll was a member of much-loved country trio Git amongst other projects. They moved down to the Bellarine Peninsula, and Chris continued life and work as a harmonica teacher, running programs for boys at local schools and phoning in music book reviews to 3RRR-FM's influential Off The Record program.  And the music still flowed. New albums, new projects, and he was by now a scene elder - he had new artists who could use his helping hand.  Late in his life, as sons Fenn Wilson and George Carroll Wilson (aka Pollyman) started making names for themselves on the scene, he recorded a final album featuring his new-found drumming skills and teamed up again with old mate Steve Lucas from X in the roaring pub blues rock band the Heinous Hounds, which featured one time Keith Richards \u0026amp; The X-Pensive Winos member Jerome Smith and another old pal, drummer Ash Davies.\u003cbr\u003e\u003cbr\u003eIn July 2018, Chris announced that he had been diagnosed with pancreatic cancer and was unlikely to perform again. His final album was released, eponymously titled. A fundraising concert at the Corner Hotel was organised and quickly sold out. Chris passed away on January 16 2019 to an outpouring of grief as great as any that Melbourne had experienced in a long time.\u003cbr\u003e\u003cbr\u003eOn October 8 2020, it was announced that Chris would be posthumously inducted into the Music Victoria Hall of Fame. Wilson’s family accepted his induction with wife Sarah Carroll and sons Fenn Wilson and George Carroll Wilson performing a version of Chris’s powerful ‘Hand Becomes Fist’. Wilson’s induction, by Paul Kelly, closed Music Victoria’s annual awards ceremony at the Recital Centre on December 9.\u003cbr\u003e\u003cbr\u003eKelly began his induction speech by quoting Bob Dylan’s recent take from Walt Whitman and describing Wilson as a\u003ci\u003e “man of multitudes“\u003c\/i\u003e. 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It was all incredible. and it was all put together a few years ago on Grown Up Wrong!'s 2CD set Strange Flash! And while the 2LP version of that release included all the studio stuff and the live in LA 1981 set, there was no room for this brain-burning, chaotic live set from '79.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cb\u003e\u003cspan\u003eTour De Force\u003c\/span\u003e\u003c\/b\u003e\u003c\/em\u003e\u003cspan\u003e, which was recorded for local radio station 5UV, captures the band as they were still emerging from the cocoon that was the \u003cstrong\u003ePsycho Surgeons\u003c\/strong\u003e. The \u003cem\u003eNuggets\u003c\/em\u003e influences are there, but it's a Stooges influences which dominate proceedings, and definitive readings of both sides of the Psycho Surgeons classic 45 \u003cstrong\u003e\"Wild Weekend\"\u003c\/strong\u003e\/\u003cstrong\u003e\"Horizontal Action\"\u003c\/strong\u003e are included alongside early Killers killers like \u003cstrong\u003e\"Teen Police\"\u003c\/strong\u003e and \u003cstrong\u003e\"Sockman\u003c\/strong\u003e\" and later faves like \"Hindu Gods of Love', \"Shakedown USA\" and \u003cstrong\u003e\"Dying Boy's Crawl\". \u003c\/strong\u003eThe band's hot take on the Thirteenth Floor Elevators' \u003cstrong\u003e\"I've Got Levitation\"\u003c\/strong\u003e is also featured. There's also plenty of tunes that were only ever captured on tape on this wild night, including \u003cstrong\u003e\"Human Crash\"\u003c\/strong\u003e, \u003cstrong\u003e\"Crush On You\"\u003c\/strong\u003e, \u003cstrong\u003e\"Head Off\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bully\"\u003c\/strong\u003e!\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e1.  Shakedown USA \u003cbr\u003e2.  Dying Boy's Crawl\u003cbr\u003e3.  Master's Words \u003cbr\u003e4.  Bully\u003cbr\u003e5.  Teen Police\u003cbr\u003e6.  Wild Weekend\u003cbr\u003e7.  I’ve Got Levitation\u003cbr\u003e8.  Mercy Killer  \u003cbr\u003e\u003cbr\u003e1.  Pharmaceutical Au-Go-Go\u003cbr\u003e2.  Human Crash \u003cbr\u003e3.  Crush On You   \u003cbr\u003e4.  Hindu Gods of Love           \u003cbr\u003e5.  Head Off \u003cbr\u003e6.  Sock It To Me – Baby!       \u003cbr\u003e7.  Sockman \u003cbr\u003e8.  Horizontal Action\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Forte Music Distribution","offers":[{"title":"Default Title","offer_id":44565235302572,"sku":"GUWDM0012X","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/LipstickKillersTourDeForceOrangeVonyl.png?v=1752209767"},{"product_id":"surprise-chef-all-news-is-good-news-lp-black-vinyl","title":"Surprise Chef \/ All News Is Good News LP Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eSurprise Chef 'All News Is Good News' LP Black Vinyl\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThere is something simultaneously both brand-new and retro about 'All News Is Good News’ - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-eqsue cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity. There is a meticulous education of 1970’s soul on display that touches on the legacies of the great composer \/ producers, yet at the same time this is a truly contemporary record that could have only been made now.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe first limited pressing of 'All News Is Good News’ was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite with UK tastemaker label Mr Bongo, who subsequently reissued the cult disc. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWhilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band’s home studio in Melbourne’s inner-northern suburb of Coburg. As band member Lachlan Stuckey explains “All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way\".\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth \u0026amp; Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll News Is Good News\u003cbr\u003eHerbie Hemphill\u003cbr\u003eBlyth Street Nocturne\u003cbr\u003eHave You Fed Baby Huey Today\u003cbr\u003eYung Boi Suite\u003cbr\u003eCrayfish Caper\u003cbr\u003eFlip Shelton\u003cbr\u003eDrinking From The Cup Of Bob Knob\u003cbr\u003eMario’s Lament\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sound Merch Vinyl","offers":[{"title":"Default Title","offer_id":44593642209452,"sku":"COK004","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/SurpriseChefAllNewsIsGoodNews.png?v=1753161681"},{"product_id":"surprise-chef-daylight-savings-lp-black-vinyl","title":"Surprise Chef \/ Daylight Savings LP Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eSurprise Chef 'Daylight Savings' LP Black Vinyl\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDaylight Savings is the second full-length album by Melbourne's cinematic soul journeymen Surprise Chef.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRecorded over a weekend in Surprise Chef's DIY analogue studio (dubbed The College Of Knowledge), Daylight Savings expands on the dramatic 1970s cinematic soul sound established on their acclaimed first album, 2019's All News Is Good News.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCreated in Spring 2019, just as the jasmine bush in the backyard of the College Of Knowledge was coming to full bloom, Daylight Savings is filled with the optimism and hope that comes with the impending long, warm evenings after a dreary Melbourne winter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCollege Welcome\u003cbr\u003eDeadlines\u003cbr\u003eNew Ferrari\u003cbr\u003eCollege Welcomes Carl\u003cbr\u003eWashing Day\u003cbr\u003eSick Day\u003cbr\u003eDaylight Savings\u003cbr\u003eDinner Time\u003cbr\u003eLeave It, Don’t Take It\u003cbr\u003eThe Limp\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sound Merch Vinyl","offers":[{"title":"Default Title","offer_id":44593647780012,"sku":"COK007","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/SurpriseChefDaylightSavings_6c2e32b8-198f-48ab-9ec6-99eed45d4f06.png?v=1753162134"},{"product_id":"karl-frog-yes-music-12-black-vinyl","title":"Karl Frog \/ Yes, Music 12” Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eKarl Frog 'Yes, Music' 12” Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFollowing on from his first two albums ‘I Love Music’ and ‘Why Music?’ released through Melbourne based label Hidiotic, Karl Frog's third outfit is a much more affirmative approach, aptly titled ‘Yes, Music’. A collection of 11 songs, all in a similar vein to his previous work, tap into a myriad of influences, while so distinctively remaining as a whole.\u003cbr\u003e\u003cbr\u003eKarl Frog, a Canberrian\/Estonian, has worked as an office assistant, a printer technician, a teacher and a baggage handler. In his spare time, he is an amateur musician. Tinkering away at bedroom recordings and stumbling across melodic gems as he goes, ‘Yes, Music’ is an eclectic album, channeling everything from new-wave, modern jangle, synth pop, and even some slight baroque influences. Frog himself endearingly describes it as ‘ambivalent digital boogie’.\u003cbr\u003e\u003cbr\u003eKarl describes his own influences to include Phil Lynott, Deborah Levy \u0026amp; the rock band Terry. Personally, I can hear moments reminiscent of early weird-pop-era Brian Eno, often featuring elements of baroque strings, blurring the lines between synthetic and natural instruments.\u003cbr\u003e\u003cbr\u003eKarl Frog remains a unique voice in the songwriting world, creating albums perfect for crate-diggers to find in years to come and be enamoured by a truly individualistic record.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. Colonial Hearts\u003cbr\u003e2. Dancing In A Tomb\u003cbr\u003e3. Legends of the Niche\u003cbr\u003e4. Emotional Technology\u003cbr\u003e5. European Synthetic Country\u003cbr\u003e6. Hemlock or Hardware\u003cbr\u003e7. What I've Plagiarised\u003cbr\u003e8. Quitting The Classics\u003cbr\u003e9. My Career At Home\u003cbr\u003e10. What Folk Music Is Today\u003cbr\u003e11. Stalking Myself\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Karl Frog","offers":[{"title":"Default Title","offer_id":44593665769644,"sku":"SSR037","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/KarlFrogYesMusic.png?v=1753163698"},{"product_id":"maple-glider-i-get-into-trouble-lp-2023-12-vinyl-first-pressing-neon-pink-vinyl-1","title":"Maple Glider \/ I Get Into Trouble (LP | 2023) 12\" Vinyl (First Pressing, Neon Pink Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaple Glider \/ I Get Into Trouble (LP | 2023) 12\" Vinyl (First Pressing, Neon Pink Vinyl)\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eFirst Pressing, Neon Pink Vinyl\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e1LP\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eSingle Jacket\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eFull colour inner sleeve\u003cbr\u003e\u003cbr\u003eTracklist:\u003cbr\u003e1. Do You \u003cbr\u003e2. Dinah \u003cbr\u003e3. Two Years \u003cbr\u003e4. FOMO\u003cbr\u003e5. Don't Kiss Me \u003cbr\u003e6. You At The Top Of The Driveway \u003cbr\u003e7. You're Gonna Be A Daddy\u003cbr\u003e8. For You And All The Songs We Loved \u003cbr\u003e9. Surprises \u003cbr\u003e10. Scream \u003cbr\u003e\u003cbr\u003eFor Tori Zietsch, who records emotionally direct and woozily romantic songs under the moniker Maple Glider, music has been an escape from a series of oppressive institutions: religion, enervating relationships, her own brain. Zietsch’s music has formed new pathways both literal and metaphorical; physical and neural, that have allowed her to step outside herself, and shake you—yes, you, the listener—by the hand.\u003cbr\u003e\u003cbr\u003eAt 14, Zietsch freed herself from her restrictive and deeply limited religious upbringing and at 15—after learning to play guitar from a chord book—she played her first show, at a skate park. After touring the open mic scene in Brisbane, moving internationally to the UK, and returning to Melbourne, she released her critically lauded debut album To Enjoy is the Only Thing in 2021, which Rolling Stone described as “one of the most accomplished debut albums in recent years.”\u003cbr\u003e\u003cbr\u003eI Get Into Trouble is a thematic expansion of her debut, going into greater and clearer detail, as she delves back into her Christian childhood while deconstructing her relationship to her body and her sexuality, alongside concepts of consent and shame. “Dinah,” a deceptively whimsical ditty, is the album’s entry-point to these themes, and it’s as infectious as an earworm wriggling\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethrough Eve’s apple. “I’ve been in the church making sure no one’s looking up my skirt,” she sings, on one of the poppiest songs she’s ever recorded.\u003cbr\u003e\u003cbr\u003eThroughout Zietsch’s second album, she draws similar parallels between religion and sexuality in novelistic detail, before landing on a note of hopeful optimism, and embracing a new life of peacefulness. “This album feels more like an opening up because there are things I wasn't feeling ready to publicly share through songs, but now I finally feel ready,” she says.\u003cbr\u003e\u003cbr\u003eUltimately, I Get Into Trouble is the sound of alchemized pain. In each song, Zietsch transmutes tribulation and confusion into clarity and deep insight. She combines the infectious folk-pop hooks of her debut with a sense of scape and scope. It’s tight in all the right places, free-form, wiley and compositionally eclectic, playful, and erratic in others. That experimentation was the result of letting the songs roam free in the room, jamming alongside fellow musicians [their names here]. ‘Two Weeks’, a song about feeling skeptical of your own feelings, is appropriately indecisive and shifty in its tone, tempo and structure. The pacing is masterful, jumping between taut grooves and slow, unfurling sections of lacksaidaiscal guitar and candied vocals.\u003cbr\u003e\u003cbr\u003eThe profound trust in her collaborators as well as her newfound confidence in the studio enabled Zietsch to venture down to the very basement of her being and flare up to the surface. On ‘Don’t Kiss Me’, one of the album’s standout tracks, she forgoes her typically mellifluous vocal style to quite literally scream her heart out. “That was a particular moment of heightened emotion,” she says.\u003cbr\u003e\u003cbr\u003eZietsch wrote I Get Into Trouble in multiple houses, in multiple states of mind, and across multiple timelines in her life. The result is a precise diorama of her life and mind, as she revisits her most difficult moments, while processing and healing in real-time. Often on I Get Into Trouble, her multiple timelines collide. It’s a convergence best represented by ‘You At The Top Of The Driveway’—a song she wrote under a mulberry tree reminiscent of the one in her childhood garden, and dedicated to her niece—Zietsch’s songwriting muse.\u003cbr\u003e\u003cbr\u003eHer lyrical style is stark and unblushing. Reaching a hand directly out to her listener, Zietsch sings as though she has nothing to hide. “My bank account’s not healthy and neither’s my sex life,” she sings matter-of-factly on ‘FOMO’. “It’s kind of just a natural way of writing for me,” says Zietsch, “if it doesn't feel like honest to me, then I don't really connect with the song and then I don't really see the point of it.” In song, Zietsch embraces the opportunity to be plainly and painfully honest.\u003cbr\u003e\u003cbr\u003eFor Zietsch, songwriting is a kind purging; recording an attempt at bottling multiple explosions. “You know, it helps clean the brain out and allows me to sort of deal with things and understand things better.”\u003cbr\u003e\u003cbr\u003eIn understanding herself better, Zietsch continues her mission of self-emancipation through song. Her second album is a document of radical honesty and transparency. Listen, and free yourself alongside her.\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003cbr\u003ereleased October 13, 2023\u003cbr\u003e\u003cbr\u003e‘I Get Into Trouble’ was produced and mixed by Tom Iansek at BellBird Studios in Naarm\/Melbourne.\u003cbr\u003eAll songs were composed, arranged, and performed by Tori Zietsch, Tom Iansek and Jim Rindfleish.\u003cbr\u003eAcoustic guitar on \"Two Years\" performed by Adam Heath.\u003cbr\u003eMastered by Steve Fallone at Sterling Sound, NYC.\u003cbr\u003eCompiled by Tom Iansek and Steve Fallone.\u003cbr\u003e\u003cbr\u003eThanks to Tom Fraser, Jo Syme and Partisan Records for believing in me and the music and for all you’ve done to make this record happen, get it released, and to keep this maple gliding. Thanks to Tom Iansek and Jim Rindfleish for making a second album together!. Jim, you are very “cool”, a wonderful friend, really good drummer, terrible at selfies, welcome to hell. Tom, you are splendid company, and a unique producer, musician, songwriter and storyteller. Thanks for being so accepting of the ebb, the flow and the stillness. Congrats on being a #1 Dad to a new baby girl in 2023, and for having a wonderful sock collection. Thanks to Adam Heath for playing guitar on ‘Two Years’. I very much enjoy land gigs with you. Thanks to Bridgette, Malachi, Adam, Jim, Ollie and Julian for making me laugh so much. You are the best gliders. To Kara and Jacob, thanks for supporting me through the creation of this album, but also unthankyou to Jacob for fucking with my window wipers. Thank you to Kara again. I keep my little book of strengths close. Ci Ci, Good girl Natty, Bad girl Gigi, Immy, Sonny girl, I love and adore you and our friendship. Thanks again to Bridgette Winten for many things, including getting hives with me after shooting this album cover (with Mal, thanks Mal). Also to Ep, Robyn, Trig, and Gorgeous Girl. It was a pleasure to piss in your long grass. Thanks to Bridgette Winten for the pics, Madison Griffiths for the illustrations and Ismael Pieter for the cover design. Thanks to my mum, Tracy, for allowing me to hold space for my truths and for always supporting me on my journey with music. You have given so much, and you truly shine. You are my number one girl. Thanks to Joe for so many things, but especially for sitting in nature with me listening to birds sing and for pointing out all the beautiful things in the world that I find beautiful too. And also for doing so much laundry. My love to Louise, Ben, Ez and Roars. A second home. And to Caleb, calls with you and Lennox are my favourite times of the year. I love you. Lastly, thanks to everyone who worked on, listened to, wrote about, played, covered, bought or supported the first Maple Glider record ‘To Enjoy is the Only Thing’ in any way. I am glowing with gratitude for your kindness and generosity. I hope you enjoy this one. xoxo\u003cbr\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Pieater","offers":[{"title":"Default Title","offer_id":44608428703916,"sku":"PIE037LPC1","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/MapleGliderPinkVinyl_53cce21f-f966-4162-9286-bd023ad06a93.png?v=1757638332"},{"product_id":"dragnet-dragnet-reigns-12-black-vinyl","title":"Dragnet \/ Dragnet Reigns! 12” Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eDragnet 'Dragnet Reigns!' 12” Black Vinyl\u003c\/strong\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe band finally return with their aptly titled “Dragnet Reigns!”, 9 new songs for your playlist. 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Slowly refining their craft in a live setting, the band return with  even more developed sound on their third album 'One Hundred Million, delivering 10 new tracks of their signature alt-country, garage rock, americana and art-rock.\u003cbr\u003e\u003cbr\u003eAsking frontman Francis Tait about the record and the title ‘One Hundred Million’, he shared;\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ci\u003e“It was around Christmas in 2023 and I was still working the delivery driving job I’d gotten to pay for the last Quality Used Cars album and the tour and all that. I’d had a pretty bad day already and had just dropped 10 20kg bags of sushi rice across the entrance of the Mornington Central shopping centre carpark when this lady pulls up beside me and goes “Powerball tonight. One hundred million” and drives off.\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ci\u003eI thought about it all day. How nice it was and how we’re all as helpless as each other. And that there’s something nice about being all helpless under the enormity of life together. But hey then there’s also a one in one hundred and thirty four million, four hundred and ninety thousand and four hundred chance that you might actually win Powerball and buy one of those big Mornington beachfront houses. And we all have those odds together.\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ci\u003eThen over the next few months Cars and I finished writing One Hundred Million. It’s all in some way about that helplessness, but also the fighting against the helplessness and sometimes finding comfort in the helplessness.\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003ci\u003eThe entire album is dedicated to the Powerball lady. I can’t even remember what she looks like, but I hope she won.”\u003c\/i\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eQuality Used Cars have always tackled lyrical songwriting with a sense of being down on your luck, an injection of humour, and also a gratefulness to life despite the hardships. One Hundred Million refines their craft perfectly, as they expand instrumentally to create an astonishingly memorable and mature third record. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eTRACKLIST:\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e1. Opening Theme\u003cbr\u003e2. You Can't Please Everybody All Of The Time\u003cbr\u003e3. Tullamareena\u003cbr\u003e4. So Long, Old Whip\u003cbr\u003e5. I Wish I'd Never Been To Bloody Memphis\u003cbr\u003e6. Endless Void\u003cbr\u003e7. Can Of Worms\u003cbr\u003e8. Bootlicker\u003cbr\u003e9. There's A World Within A Windscreen\u003c\/div\u003e\n\u003cdiv\u003e10. Powerball\u003c\/div\u003e","brand":"Quality Used Cars","offers":[{"title":"Default Title","offer_id":44675999498412,"sku":"SSR038","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/QualityUsedCarsBlack_a2dec2f3-5624-42b1-ad85-c7c3aa654cc1.png?v=1755475758"},{"product_id":"davey-lane-finally-a-party-record-limited-edition-opaque-yellow-and-translucent-red-split-12-vinyl","title":"Davey Lane \/ Finally, A Party Record Limited Edition opaque yellow and translucent red split 12” vinyl","description":"\u003cp\u003e\u003cstrong\u003eDavey Lane \/ Finally, A Party Record Limited Edition opaque yellow and translucent red split 12” vinyl\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFrom its late-‘70s LA party vibes to its cheeky cover artwork nod to Rod Stewart, Davey Lane’s new long-player, ‘Finally, A Party Record’, lives up to its title… and then some.\u003c\/p\u003e\n\u003cp\u003e“The title’s pretty clearly ironic,” Lane qualifies. “It presented itself as a bit of a gag on the thematic tone of the record, while it's up tempo musically, for the most part it’s a bit of a bummer trip, maaan.”\u003c\/p\u003e\n\u003cp\u003eA bummer of a party record? All aboard! As a quality songwriter, writing rock-poppin’ gems with stings in their tales is Lane’s business, after all.\u003c\/p\u003e\n\u003cp\u003eLane began accruing this collection of musical ideas during the enforced quiet of the long COVID lockdown.\u003c\/p\u003e\n\u003cp\u003e“Living in Melbourne during the dark ages was pretty odd, but I’m an introverted person, and I was fortunate enough to live in a house where I could have all my all my instruments and equipment set up to record, and no distractions or time limits. I kinda thrived in it.” Lane explains.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe songs that emerged during this period were the instrumental funk-sci-fi opener ‘Mach IV’, the soul-worthy ‘Not Expecting To Fly’\u003ci\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ethe\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003esoul-searching\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eRemedies\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand song Noel Gallagher will wish he wrote, ‘Flippant Words’\u003ci\u003e.\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eThe creative juices were flowing, but when lockdown ended and the music industry got its legs back Lane says he was touring twice as much as before while everyone made up for lost time. As a result the album was placed somewhat on the backburner.\u003c\/p\u003e\n\u003cp\u003eEven so, there was still a scratch waiting to be itched and by the time that Lane returned to Melbourne from the road and was able to remain there for a reasonable period of time, the homes fires were burning. Fresh with ideas he penned ‘Over, Over And Out’, ‘An Absent Lover’, ‘Saint Me’ and ‘If It Can Rain, It’ll Rain’.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecordings were made in between Lane’s road commitments, with bassist Luke Hodgson and drummer Sam Raines – who were also the rhythm section for the last tour Lane did with Todd Rundgren – forming the core trio. Jazz Party’s Loretta Miller, who Lane regards as one of the best singers in the country, also contributed vocals.\u003c\/p\u003e\n\u003cp\u003eAs a result, there’s many a life to the party. The ‘70s blue-eyed soul of ‘Not Expecting To Fly’\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eis one of many love letters to Lane’s eclectic tastes. While the likes of ‘He’s A DJ’ finds him driving in the more familiar fab-guitar-rock Lane, our party host brings out the disco shoes for ‘An Absent Lover’ (featuring Nitida from Melbourne’s Don’t Thank Me, Spank Me\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eon guest vocals) and the dancefloor dutifully runneths over.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe heartstrings will tug upon listening to ‘Over, Over And Out’ with its hints of Lane’s beloved Jeff Lynne, then tear on the album closer, ‘If It Can Rain, It’ll Rain’\u003ci\u003e.\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eIt takes you higher in the most poignant way in a fade-out of sax and singalong.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAfter 26 years as guitarist for You Am I and collaborations with the likes of Todd Rundgren, Crowded House, Jimmy Barnes, Robyn Hitchcock and more, Lane has a rock’n’roll pedigree that is second to none. His solo career illuminates why he is so highly regarded by so many musical greats as he forges onward with his own inspired and eclectic musical path.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMach IV\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eNot Expecting To Fly\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOver, Over \u0026amp; Out\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAn Absent Lover\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eGod, I’m Fucked Up Over You\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eHe’s A DJ\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFlippant Words\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSaint Me\u003cbr\u003e\u003c\/span\u003eRemedies\u003cbr\u003eIf It Can Rain, It'll Rain\u003c\/p\u003e","brand":"Cheersquad Records \u0026 Tapes","offers":[{"title":"Default Title","offer_id":44701349413036,"sku":"CRT245-RY","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/DaveyLaneNewEdition_7832fa7c-0826-41d0-a4a0-041fc7a51c40.png?v=1756099047"},{"product_id":"snowy-band-the-apartment-lp-moss-green-vinyl","title":"Snowy Band \/ The Apartment LP Moss Green Regrind Vinyl","description":"\u003cp\u003e\u003cstrong\u003eSnowy Band 'The Apartment' LP Moss Green Regrind Vinyl\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eOut Oct 3 - 'Shortchanged', the new single by Snowy Band. Also out Oct 3 - The Apartment LP, by Snowy Band, available exclusively on vinyl\/bandcamp download until its release across all platforms on 28 November.\u003cbr\u003e\u003cbr\u003eRenowned for pushing the boundaries of a traditional album release (throwback to his 2024 24-hour-only Bandcamp double-album, or his Savage Garden song-for-song cover album), Liam \"Snowy\" Halliwell is this time using his full band - Snowy Band - to experiment with a backwards album campaign. 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This recycling process results in unique colour variations\u003c\/p\u003e\n\u003cp\u003e**All 'Wing' vinyl purchases come with a Box Set Slipcase for housing the “Early 20s Trilogy” of albums 'Daisy', 'Me and You', and 'Wing'. They were originally written in the same session in April 2019, on Millowl\/Phillip Island; recorded summer of 2019\/20 at the Pieater studio BellBird; and released 2021, 2022, and 2024 respectively. They each tell their own story, but belong together as sister albums.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\nTracklist:\u003cbr\u003e1. Something To Remember\u003cbr\u003e2. What It's All About\u003cbr\u003e3. The End Of The Road\u003cbr\u003e4. Perfect World\u003cbr\u003e5. Ideal\u003cbr\u003e6. All You've Done To Me\u003cbr\u003e7. Falling From A Mountain\u003cbr\u003e8. A Ribbon To Hold Us\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003eIf you’ve followed our albums 'Daisy' and 'Me and You' from the past two years, then much of the story of 'Wing' has already been told.\u003cbr\u003eWe put Big Scary on pause mid-2017. In the break that followed, Tom made two albums with No Mono, and his third #1 Dads album. Jo started a second label imprint, Hotel Motel Records. This pause provided the breathing room we needed for an honest “re-union”, that helped define what Big Scary really is within the fabric of many creative projects for each of us. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003eAnd what it is is simply “the music made by Tom and Jo, together”. This simple idea blossomed into a more equal collaboration - sharing songwriting and lyrics more than before, and just the two of us recording the albums in our Collingwood studio BellBird - Tom showed Jo how to engineer using ProTools so that we could track each other’s parts. This became the foundation for a great creative outpouring that brought forth 'Daisy' (2021), 'Me and You' (2022), and now 'Wing' - the final limb that enfolds the trio.\u003cbr\u003eThese albums share common threads and themes, with a central focus on love and relationships. Here on 'Wing' a slight cynicism of ‘love’ has crept in at times - taking stock of expectations versus reality. This rule isn’t hard and fast though, and there is always, always space for hope. With a tenacious positivity we find ourselves in liminal states - probing the status quo, or even grasping for the divine. And sonically, space and ideas are lingered upon, allowed to stretch out.\u003cbr\u003eThe wing: a limb that enfolds. Something ‘to the side’ of the main, yet something crucial and supportive. Something that works in tandem to create something miraculous - flight! In all its meanings. We hope 'Wing' enfolds you and completes the story of 'Daisy' and 'Me and You'.\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003eReleased February 16, 2024\u003cbr\u003e\u003cbr\u003eAll songs written and performed by Big Scary\u003cbr\u003eLive strings performed by Emma Kelly on “Perfect World”\u003cbr\u003eRecorded and produced by Big Scary at BellBird, Collingwood, Wurundjeri Country.\u003cbr\u003eAdditional production in London by Tom Iansek\u003cbr\u003e“Falling From A Mountain” recorded at Hello Daydreamer Studio, Romsey, engineered by Brett Langsford\u003cbr\u003eAll tracks mixed by Magoo at the Lodge, except “Ideal”, mixed by Matt Redlich, and “Falling From A Mountain”, mixed by Tom Iansek\u003cbr\u003eMastered by Steve Fallone at Sterling Sound, NYC\u003cbr\u003eCover Art by Big Scary\u003cbr\u003eArtwork compiled by George Gillies \u0026amp; Simoen van der Meent\u003cbr\u003e\u003cbr\u003eAll songs and artwork (p) and © our label Pieater 2024\u003cbr\u003e\u003cbr\u003eSpecial thanks to Chris Hyson, John Sampson, our families, supporters, and as ever the Friz Dizz.\u003cbr\u003eThis project has been assisted by the Australian Government through Music Australia.\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Pieater","offers":[{"title":"Default Title","offer_id":44841278308524,"sku":"PIE039LPC1","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/BigScary1.png?v=1759708521"},{"product_id":"hard-ons-the-most-australian-band-ever-lp-black-vinyl-pre-order","title":"Hard-Ons \/ The Most Australian Band Ever! LP Black Vinyl","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eHard-Ons 'The Most Australian Band Ever!' LP Black Vinyl\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e'The Most Australian Band Ever! - The Secret Origin of the Hard-Ons' is the soundtrack to the documentary of the same name. It is directed by Jonathan J. Sequeira for production companies Living Eyes and Play Vintage - the man and the production house that made the acclaimed 2017 Radio Birdman documentary Descent Into The Maelstrom. The film premiered in October 2024 at SXSW in Sydney with a screening and Q\u0026amp;A at the Dendy Newtown, and has now been played all over the world, receiving multiple awards. Perfectly timed with the 40th anniversary of the Hard-Ons (2024), The Most Australian Band Ever offers insight into the band's long existence, with plenty of live footage and interviews and guest appearances from Dave Faulkner (The Victims, Hoodoo Gurus), Ross Knight (Cosmic Psychos), Jerry A (Poison Idea), Steven Hanford aka Thee Slayer Hippy (Poison Idea) and Rob Younger (Radio Birdman). The film has a particular focus on the Hard-Ons' early days, the obstacles - some self-inflicted - which they've had to overcome, and the legacy they've built.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe soundtrack to the album contains 15 choice cuts from the early days of the band as well as dialogue from the film.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eOver the years, the Hard-Ons have won the vocal support of artists like Dave Grohl, AC\/DC's Malcolm Young and Jello Biafra amongst countless others. They’ve influenced not only subsequent generations of punk bands but a wide-ranging groundswell of Australian alternative artists – from You Am I to Spiderbait to Silverchair to Regurgitator to Magic Dirt to Powderfinger to the Dirty Three to The Chats – each of whom have been inspired by the Hard-Ons’ energy, free spirit and uncompromising dedication.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBuddies (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eThere Was a Time (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eWog Food (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eI Heard Her Call My Name (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eSurfin' On My Face (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eGirl In The Sweater (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eAll Set To Go (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eAche To Touch You (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eJust Being With You (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eDon't Wanna See You Cry (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eDull (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eWhere Did She Come From? (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eCarry Me Down (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eTest (Most Australian Band Ever! version)\u003c\/li\u003e\n\u003cli\u003eSuck And Swallow (Most Australian Band Ever! version)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Cheersquad Records \u0026 Tapes","offers":[{"title":"Default Title","offer_id":44884544323756,"sku":"CRT320-BLACK","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/hard-ons-black_28e77266-5fd1-4dc6-8264-dd428703c1bc.png?v=1761109293"},{"product_id":"snout-whats-that-sound-lp-black-vinyl","title":"Snout \/ What's That Sound? LP Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eSnout 'What's That Sound?' LP Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCheersquad Records \u0026amp; Tapes are happy to announce, for the first time on vinyl, the reissue of ‘What’s That Sound?’ the debut album from Snout.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSnout were an Australian independent rock band who were formed in Melbourne in 1991 and disbanded in 2002. They released numerous recordings and were twice nominated for an Australian Record Industry Association Award. Ross McLennan, the founder of the band, has since gone on as a solo artist who has been nominated for the Australian Music Prize. Anthony Paine, has also gone on to be nominated for this award, with the group Black Cab. Founded by Ross McLennan in Melbourne, Australia in 1991. Snout made their first recorded appearance the following year on a Half a Cow Records compilation, Slice Two.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe band's first release in their own right was in 1993 with the Cleans and Brightens EP, through the Au Go Go label. In 1994 they released their debut album, ‘What's That Sound?’. \u003cbr\u003e\u003cbr\u003eThe lineup at this time consisted of Ross McLennan (Bass and vocals), Rob Wolf (Guitar and backing vocals) and Hugh Williams (Drums).\u003cbr\u003e\u003cbr\u003eSoon after the recording of What's That Sound?, Rob and Hugh left the band. McLennan recruited Greg Ng for guitar and backing vocal duties. Ng had previously fronted Melbourne shoegaze exponents Afterglow. New drummer, Ewan McCartney had previously performed with Ripe.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSnout were a much loved fixture of the Australian independent music scene until they disbanded in 2002.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003cem\u003eTracklist:\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWhat’s That Sound?\u003cbr\u003eInspector Plod\u003cbr\u003eI’ve Got Clean Hands\u003cbr\u003eCivilization\u003cbr\u003eGreenwich Meridian Time\u003cbr\u003eIt’s Alright\u003cbr\u003e35 Sec. Street Song Bridge\u003cbr\u003eTumbling\u003cbr\u003eT.V.O.D\u003cbr\u003eGreen Belt Fields\u003cbr\u003eNight \u0026amp; Day\u003cbr\u003eBinary Code\u003cbr\u003eSlow to Stop\u003cbr\u003eThe Love Keeper\u003c\/p\u003e","brand":"Cheersquad Records \u0026 Tapes","offers":[{"title":"Default Title","offer_id":44972119654572,"sku":"CRT318","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/SnoutWhatsThatSound.png?v=1762840692"},{"product_id":"alcides-neto-amu-lp-black-vinyl","title":"Alcides Neto \/ Amú LP Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eAlcides Neto 'Amú' LP Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LtbwUh5AY8U?si=dzUcypLvFNxLZE5x\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003eAlcides Neto is a Brazilian composer and multi-instrumentalist based in Narrm\/Melbourne. Drawing inspiration from the folk traditions of his homeland, Alcides offers a fresh perspective on Brazilian music by blending traditional rhythms with contemporary Brazilian jazz, samba, bossa and more. Known for his distinctive percussive guitar playing and warm, soothing vocals, he brings an authentic Brazilian vibe to every performance. Alcides is set to release his debut album Amú via the Music in Exile label in early 2026, featuring eight original compositions recorded at Head Gap Studios, Melbourne. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e \u003cbr\u003eA1. Ari, Sérgio, Melo, Marco, merda (03:12)\u003cbr\u003eA2. Canforá (04:59) \u003cbr\u003eA3. Carmariô (04:38) \u003cbr\u003eA4. Darebin (05:58) \u003cbr\u003eB1. Amuleto (03:18)\u003cbr\u003eB2. Chão (05:16)\u003cbr\u003eB3. Essa Noite (04:57)\u003cbr\u003eB4. Role de Imigrante (04:59)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Music In Exile","offers":[{"title":"Default Title","offer_id":45233646436524,"sku":"MIE040","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/AMU.png?v=1768276477"},{"product_id":"redd-kross-and-hard-ons-redd-kross-hard-ons-lp-black-vinyl-pre-order","title":"Redd Kross and Hard-Ons \/ Redd Kross\/Hard-Ons LP Black Vinyl","description":"\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRedd Kross and Hard-Ons 'Redd Kross\/Hard-Ons' LP Black Vinyl\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo titans of power-pop and punk rock reunite this March 2026. LA cult legends REDD KROSS, celebrating 45 years of dayglo hooks, sly wit and sky-high choruses, join forces once again with Aussie icons THE HARD-ONS, fronted by the incomparable Tim Rogers, for a long-awaited tour across Australia.\u003cbr\u003eWith new music in tow and a shared history of high-volume brilliance, the two pioneer bands are set to light up stages from Queensland to Victoria. Expect high-voltage singalongs, fuzz-drenched anthems, and a masterclass in melodic brilliance from two of rock’s most enduring and prolific forces.\u003cbr\u003eTo celebrate the tour, Cheersquad Records \u0026amp; Tapes are releasing a split EP called ‘Redd Kross\/Hard-Ons’ containing 3 unreleased songs from each band.\u003cbr\u003eThe Redd Kross songs are acoustic versions of 2 songs off their latest ‘redd’ album, as well as the longtime favourite ‘The Lady In The Front Row’.  The Hard-Ons songs are extra tracks recorded at the same time as their latest record ‘I Like You A Lot Getting Older’.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eREDD KROSS \u0026amp; THE HARD-ONS. From LA and Sydney respectively. Separated by an ocean, but with ties that go back to when they were label mates on the US Big Time label in 1987 and maybe even further. Beyond that the connections are plentiful; both started playing out on their respective punk scenes when they were very young - Redd Kross as pre-teens and mid-teens in '79-80, The Hard-Ons as mid-to-late teenagers in '82-83 - and both ruffled plenty of feathers when they did. Both bands transgressed the accepted boundaries of punk, and both pushed audience excitement buttons with high energy, great tunes, an outrageous visual element and a willingness to not only include '60s pop influences into their punk sounds, but also flashy and trashy '70s hard rock. \u003c\/p\u003e\n\u003cp\u003eIndeed, two bands were arguably the first two to understand the musical thread that joined Kiss and the Ramones, and in doing so they together helped make the world a brighter place.\u003c\/p\u003e\n\u003cp\u003eCurrent Hard-Ons singer Tim Rogers goes back decades with Redd Kross too - a young You Am I were on the bill when Redd Kross toured Australia with the Hoodoo Gurus back in 1994.\u003c\/p\u003e\n\u003cp\u003eREDD KROSS \u0026amp; THE HARD-ONS have also recently both celebrated anniversaries and received the kind of kudos that only occasionally comes with their levels of dedication and perseverance.  Redd Kross last year marked their 45th anniversary with their most acclaimed album to date (a self-titled double LP on In The Red Records), as well as a revelatory movie documentary and book. The Hard-Ons celebrated their 40 years with a film of their own - a sequel to that is doing the rounds now - and continued their run of Top 40 records (which began in 2021 with their first album with Tim Rogers and their first for Cheersquad Records \u0026amp; Tapes, the #4 album I'm Sorry Sir, That Riff's Been Taken) with last year's I Like You a Lot Getting Older.\u003c\/p\u003e\n\u003cp\u003eWith a shared love of high-energy, catchy and FUN punky rock'n'roll, Redd Kross and The Hard-Ons have always been a match made in heaven, and that match will set East Coast Australian stages alight in 2026.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eSide A – Redd Kross\u003cbr\u003eI’ll Take Your Word For It (Acoustic) \u003cbr\u003eStuff (Acoustic) \u003cbr\u003eThe Lady In The Front Row (Acoustic) \u003c\/p\u003e\n\u003cp\u003eSide B – Hard-Ons\u003cbr\u003eAlways Think With My Temper \u003cbr\u003eYou’ll Always Be Safe With Us\u003cbr\u003eGetting Older (Radio Edit)\u003c\/p\u003e","brand":"Cheersquad Records \u0026 Tapes","offers":[{"title":"Default Title","offer_id":45234206048428,"sku":"CRT335","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/TheHardOnsBlack.png?v=1768283047"},{"product_id":"kisses-you-are-in-my-dreams-lp-black-vinyl-pre-order","title":"kisses \/ You Are In My Dreams LP Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003ekisses 'You Are In My Dreams' LP Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis summer, Narrm\/Melbourne outfit \u003c\/span\u003e\u003cspan\u003ekisses\u003c\/span\u003e\u003cspan\u003e release their much anticipated second full-length album, \u003c\/span\u003e\u003cspan\u003e‘You Are in My Dreams\u003c\/span\u003e\u003cspan\u003e’. Following on from 2024’s self-titled ‘\u003c\/span\u003e\u003cspan\u003ekisses\u003c\/span\u003e\u003cspan\u003e’ cassette, this outing sees the band return with an evolved expression of their signature whimsical, intimate yet expansive brand of genre-bending folk. The band has worked miracles with the support of producer and friend Theo Carbo, delivering ten songs that will fly straight from kisses’ heart into your dreams. Lovingly mastered by Adam Dempsey (Mess Esque), with original artwork by kisses’ own Zia Sikora. An album for a year of heartbreak and transcendence. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA1. Under the Ground (03:37)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA2. Queen of the Suburbs (04:25) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA3. Hum (05:25) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA4. Candy Flip (03:48) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA5. Distance (05:58) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB1. Butterfly Eyes (03:16)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB2. Why Are You Crying (04:54) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB3. I Wanna See You Smile (04:16) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB4. Deli Woman (05:07) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB5. It Will Rain (04:54) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bedroom Suck Records","offers":[{"title":"Default Title","offer_id":45254854508716,"sku":"BSR-113","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/kissesblackLP.png?v=1768801088"},{"product_id":"the-breakers-night-after-night-lp-pink-vinyl","title":"The Breakers \/ Night After Night LP Pink Vinyl","description":"\u003cp\u003e\u003cstrong\u003eThe Breakers 'Night After Night' LP Pink Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ci\u003eThese are Australian-only editions. Available to Australian \u0026amp; New Zealand customers only. \u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eEU \u0026amp; UK customers head to: \u003ca href=\"https:\/\/www.recordstoreday.co.uk\/record-shops\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.recordstoreday.co.uk\/record-shops\u0026amp;source=gmail\u0026amp;ust=1770435104060000\u0026amp;usg=AOvVaw1gZzI0CWtard_QEhHv0Jge\" target=\"_blank\"\u003ehttps:\/\/www.\u003cwbr\u003erecordstoreday.co.uk\/record-\u003cwbr\u003eshops\u003c\/wbr\u003e\u003c\/a\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eUS customers head to: \u003ca href=\"https:\/\/midheaven.com\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/midheaven.com\/\u0026amp;source=gmail\u0026amp;ust=1770435104060000\u0026amp;usg=AOvVaw3fhVREreej_svXiNENvgpr\" target=\"_blank\"\u003ehttps:\/\/midheaven.com\/\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003ePink vinyl pressing of 400 units\u003cbr\u003e\u003cbr\u003eThe Breakers are a long-lost late '70s\/early 80s Australian power pop band. Formed under in '79 under the long distance guidance of infamous LA producer\/Svengali Kim Fowley (Runaways, Hollywood Stars etc, and a man with writing credits for Kiss, Alice Cooper and many more) they only released one single in their lifetime but recorded enough high quality demos for an album, which, as presented here, reveals a hitherto untold story significant in terms of both Australian rock history and the lore of international power pop might-have-beens.... \u003c\/div\u003e\n\u003cp\u003eThe Breakers formed around the talents of two individuals who had crossed paths with Fowley when he was in Australia over Xmas '78. It's a testimony to Fowley's eye for talent that he was able to meet musicians from opposite ends of the Australian music scene - one the songwriter\/bass\/player heartthrob for a Sydney-based '50s\/60s revival combo who had previously scored a #1 album and a handful of Top 10 hits, the other a songwriting guitarist from two of Melbourne's most notorious (and subsequently highly collectable) punk bands - and recognize a shared pop sensibility. In Jimmy Manzie from Ol' 55 and Jarryl Wirth from Babeez and News (Fowley also recorded Wirth solo under the name Lonely Boys for Bomp!), Fowley found two unexpected allies who together would work out a modern style of modern power pop not too dissimilar to that forged by another Australian band with Fowley connections, The Innocents, whose classic 45 \"Sooner or Later\" was produced by Manzie and is indeed rumoured to feature The Breakers playing most instruments! \u003c\/p\u003e\n\u003cp\u003eNight After Night: Long Lost '79-80 Recordings By Kim Fowley's Hard Rocking Sydney Power Pop Proteges brings together fourteen of the The Breakers' best tracks, all studio recordings bar great live recordings of the News classic 'Sweet Dancer Au-Go-Go' and a great and otherwise unrecorded original called \"Can You Hear Me Singing On The Radio\". Included is the track \"‘The Girl with Stars in Her Eyes\" which the band appeared performing on stage in a Sydney pub in the cult Australian film Puberty Blues, and superior demo versions of the two tracks featured on their sole single, \"When I'm On TV\" and \"Lipstick And Leather\", the latter being a Manzie-Fowley co-write rumoured to have later been demoed by Kiss! \u003c\/p\u003e\n\u003cp\u003ePretty much everything on here could be a hit single, and over the fourteen tracks you'll hear echoes of not only The Innocents but the likes of Cheap Trick, The Cars, The Rubinoos, The Records, The Quick and even later bands like Candy and Redd Kross!\u003c\/p\u003e\n\u003cp\u003eThe LP features a four-page full colour 12x12 insert featuring numerous images, press clippings and lengthy liner notes by Dave Laing of Ugly Things and Grown Up Wrong! (The CD features the same converted to a 16 page booklet).\u003c\/p\u003e\n\u003cp\u003eFor Fans Of:\u003cbr\u003eThe Innocents, Cheap Trick, The Cars, Candy, The Rubinoos, The Records, Redd Kross, The Quick, Runaways, Venus \u0026amp; The Razorblades, Hilly Michaels, Ramones, Kiss, Ol' 55, Babeez\/News\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eSide 1\u003cbr\u003e1.    Night After Night\u003cbr\u003e2.    Where Is The Sun  \u003cbr\u003e3.    When I'm On TV (Demo version)\u003cbr\u003e4.    Boy Meets Girl\u003cbr\u003e5.    She's A Sensation  \u003cbr\u003e6.    Let's Go\u003cbr\u003e7.    Singing On The Radio\u003cbr\u003eSide 2\u003cbr\u003e1.    The Girl With Stars In Her Eyes\u003cbr\u003e2.    They Know I Smoke\u003cbr\u003e3.    Who'll Be Her Fool Tonight\u003cbr\u003e4.    Sixteen's My Lucky Number\u003cbr\u003e5.    Come With Me\u003cbr\u003e6.    Lipstick and Leather (Demo version)\u003cbr\u003e7.    Sweet Dancer Au Go Go\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Forte Music Distribution","offers":[{"title":"Default Title","offer_id":45310600806572,"sku":"GUWDM0011","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/TheBreakersPinkLP.png?v=1770254433"},{"product_id":"beathoven-at-pascoe-vale-high-school-1977-lp-blue-vinyl","title":"Beathoven \/ At Pascoe Vale High School 1977 LP Blue Vinyl","description":"\u003cp\u003e\u003cstrong\u003eBeathoven 'At Pascoe Vale High School 1977' LP Blue Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ci\u003eThese are Australian-only editions. Available to Australian \u0026amp; New Zealand customers only. \u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eEU \u0026amp; UK customers head to: \u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.recordstoreday.co.uk\/record-shops\u0026amp;source=gmail\u0026amp;ust=1770435104060000\u0026amp;usg=AOvVaw1gZzI0CWtard_QEhHv0Jge\" href=\"https:\/\/www.recordstoreday.co.uk\/record-shops\" target=\"_blank\"\u003ehttps:\/\/www.\u003cwbr\u003erecordstoreday.co.uk\/record-\u003cwbr\u003eshops\u003c\/wbr\u003e\u003c\/a\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eUS customers head to: \u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/midheaven.com\/\u0026amp;source=gmail\u0026amp;ust=1770435104060000\u0026amp;usg=AOvVaw3fhVREreej_svXiNENvgpr\" href=\"https:\/\/midheaven.com\/\" target=\"_blank\"\u003ehttps:\/\/midheaven.com\/\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eBlue vinyl pressing of 400 units\u003cbr\u003e\u003cbr\u003eBeathoven At Pascoe Vale High School 1977 is a previously unreleased live album from the legendary Tasmanian '70s pop revivalists\/power pop precursors  who later turned into the Innocents. Loved by the current generation of indie power poppers, including the Lemon Twigs, Beathoven appeared some years ahead of the punk\/new wave-inspired power pop explosion of '78 with a sound that was equal parts Cavern Club and later day Beatlerock like Badfinger and Rockin' Horse, and briefly rose to prominence alongside the emerging punk scene. They only released 2 singles in their day but they recorded numerous demos, some of which were released on an '80s Raven Records Beathoven\/Innocents collection.\u003c\/div\u003e\n\u003cp\u003eAn essential addendum to that release, Beathoven At Pascoe Vale High School 1977 sounds not unlike The Beatles at the Hollywood Bowl transposed to a '70s suburban Melbourne high school! \u003c\/p\u003e\n\u003cp\u003eRecorded in stereo courtesy of two mic's taped to the front of the stage and with nearly as much screaming as there is music, this a raw, raving snapshot of a young band living out their big beat fantasies for the world to see and hear.\u003c\/p\u003e\n\u003cp\u003eOnce described by Kim Fowley as the Bay City Rollers of Tasmania, Beathoven were a mid-'70s phenomenon on the Apple Isle - genuine hitmakers and heart throbs - and they moved to the Australian mainland in '77, on the back of two local hits, hoping to break nationally. Somewhat unsuited to the pub circuit, the band decided to play high schools to get themselves heard. It worked; this very recording helped them get a deal with EMI. Bizarrely though, the label wanted them to ditch the early Beatles style and they sat on their hands while the band amassed a legion of school age fans to rival what they had at home.  After one single and a Best New Group nomination on TV's Countdown Awards - which caused a small riot when another group won - Beathoven were cut loose. They were still label-less when Fowley met up with them in Melbourne around Xmas '78 and the next chapter began. \u003c\/p\u003e\n\u003cp\u003eBeathoven At Pascoe Vale High School 1977 is at once a time capsule of more innocent times and a breathless blast of rampant rock'n'roll pop hooks. It is an essential listen for students of power pop history and the Australian rock scene alike.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFor Fans Of:\u003cbr\u003eLemon Twigs, the Innocents, Sharp Pins, the Gnomes, Mod Lang, early BEATLES!, Swinging Blue Jeans, Bay City Rollers, Rockin' Horse, the Poppees, the Nerves, Bomp!-era 20\/20, the Spongetones, Shake Some Action-era Flamin' Groovies, Badfinger, Blue Ash, Rockin’ Horse, Utopia's Deface the Music, the Rutles!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eSide 1\u003cbr\u003e1.    Headmistress's Intro \/ Rock Show \/ Come Back Home\u003cbr\u003e2.    Go Go Go \u003cbr\u003e3.    Darlin'\u003cbr\u003e4.    Leave Those Blues Behind\u003cbr\u003e5.    I Wouldn't Have It Any Other Way\u003cbr\u003e6.    Do You Remember The Time\u003cbr\u003e7.    Please Don't Go\u003cbr\u003e8.    Shy Girl\u003cbr\u003eSide 2\u003cbr\u003e1.    Band Intro \/ Does It Matter As Much to You?\u003cbr\u003e2.    Catch Her If You Can\u003cbr\u003e3.    I Can't Take No more\u003cbr\u003e4.    Sad Lonely and Blue\u003cbr\u003e5.    Dancin' Dancin' \u003cbr\u003e6.    Beathoven is Alive and Well\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Forte Music Distribution","offers":[{"title":"Default Title","offer_id":45310610964652,"sku":"GUWDM0013","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/TheBreakersBlueLP.png?v=1770254556"},{"product_id":"the-eastern-dark-julie-is-a-junkie-johnny-and-dee-dee-7-yellow-vinyl","title":"The Eastern Dark \/ 'Julie Is A Junkie' \/ 'Johnny and Dee Dee' 7\" Yellow Vinyl","description":"\u003cp\u003e\u003cstrong\u003eThe Eastern Dark 'Julie Is A Junkie' \/ 'Johnny and Dee Dee' 7\" Yellow Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThese are Australian-only editions. Available to Australian \u0026amp; New Zealand customers only. \u003c\/i\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ci\u003eEU \u0026amp; UK customers head to: \u003ca href=\"https:\/\/www.recordstoreday.co.uk\/record-shops\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.recordstoreday.co.uk\/record-shops\u0026amp;source=gmail\u0026amp;ust=1770435104060000\u0026amp;usg=AOvVaw1gZzI0CWtard_QEhHv0Jge\" target=\"_blank\"\u003ehttps:\/\/www.\u003cwbr\u003erecordstoreday.co.uk\/record-\u003cwbr\u003eshops\u003c\/wbr\u003e\u003c\/a\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eUS customers head to: \u003ca href=\"https:\/\/midheaven.com\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/midheaven.com\/\u0026amp;source=gmail\u0026amp;ust=1770435104060000\u0026amp;usg=AOvVaw3fhVREreej_svXiNENvgpr\" target=\"_blank\"\u003ehttps:\/\/midheaven.com\/\u003c\/a\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ci\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eYellow vinyl pressing of 700 units\u003cbr\u003e\u003cbr\u003eTo commemorate the 40th Anniversary of the passing of James Darroch, singer\/songwriter\/guitarist for Sydney's incredible The Eastern Dark, Grown Up Wrong! is thrilled to announce a long-awaited reissue of the band's classic 1985 single \"Julie Is A Junkie\/Johnny and Dee Dee\".\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHeavily influenced by the Ramones - the band opened their first live show with 'Blitzkrieg Bop' and from then on opened with a new Ramones song every time they played, working through the band's complete catalogue in chronological order -  as well as all manner of hyper-melodic and high energy rock, The Eastern Dark were a classic trio. Powered by former Celibate Rifles bassplayer James Darroch's blazing guitar and anchored by former Lime Spiders backing vocalist Bill Gibson's hard driving and melodic bass playing (and supreme backing vocals) and Geoff Milne's untouchable beat keeping, \u003c\/span\u003e\u003cspan\u003ethey set Sydney's Radio Birdman-influenced scene alight in 1984 and quickly built an international following on the back of their classic single. Sadly, just hours after completing what would become their next release - the mini-LP \"Long Live the New Flesh\" - the band's life, and that of 25-year old James Darroch, was brutally ended in a road accident whilst the band was on its way to Melbourne.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOn the back of the tragedy, the band's music lived on and its global impact was reflected in the influence it had on numerous bands, from Boston's the Lemonheads (Evan Dando was such a fan he had Bill Gibson join the Lemonheads in the ‘90s!) to Tokyo's Teengenerate, and obviously a succession of Australian bands from the Hard-Ons through to God and the Meanies and beyond.  \u003cbr\u003e \u003cbr\u003eAfter years of searching, surviving members Bill Gibson and Geoff Milne recently found the single's original multi-track tapes, and for the new release, the original recordings have been both remixed and remastered for maximum impact under their supervision. \u003c\/p\u003e\n\u003cp\u003eListen to both sides here:   \u003ca href=\"https:\/\/www.youtube.com\/watch?v=BehNNiKangA\u0026amp;amp;list=RDBehNNiKangA\u0026amp;amp;start_radio=1\"\u003eTHE EASTERN DARK - \"Julie is a junkie\" b\/w \"Johnny and Dee Dee\" 7' single 1985 \u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor fans of:\u003cbr\u003eRamones, The Hard-Ons, early Lemonheads, Dictators, Radio Birdman, Teengenerate, Meanies, Mach Pelican, Screeching Weasel, The Queers, early Green Day, Husker Du, Celibate Rifles, Do The Pop! compilations etc\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eThat One – ‘Julie Is A Junkie’\u003cbr\u003eThe Other One - ‘Johnny and Dee Dee’\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Forte Music Distribution","offers":[{"title":"Default Title","offer_id":45310645731500,"sku":"GUWDM014-YELLOW","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/TheEasternDark7InchYellow.png?v=1770255481"},{"product_id":"owelu-dreamhouse-owelu-dreamhouse-lp-black-vinyl","title":"Owelu Dreamhouse \/ Owelu Dreamhouse LP Black Vinyl","description":"\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOwelu Dreamhouse 'Owelu Dreamhouse' LP Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eA fiery blend of cinematic soul, psychedelia and Afrobeat exploring the in-betweens of identity, music and culture in the 21st century—Owelu Dreamhouse’s debut LP is a deeply orchestrated journey through memory and imagination, led by ex-Saskwatch bandmates Nkechi Anele and Nic Ryan-Glenie, produced by Henry Jenkins (Surprise Chef).\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1 Kellen\u003cbr\u003e2 Owerri Disco\u003cbr\u003e3 Tourist\u003cbr\u003e4 Okra 4 Bilalli (feat. Bilalli)\u003cbr\u003e5 Oluwasam\u003cbr\u003e6 Stutter\u003cbr\u003e7 Daughters Always Listening I\u003cbr\u003e8 Niger River\u003cbr\u003e9 Daughter's Always Listening II\u003cbr\u003e10 Struggle for Kasawa\u003cbr\u003e11 Realised\u003cbr\u003e12 Yellow Trumpet    \u003c\/p\u003e","brand":"Sound Merch Vinyl","offers":[{"title":"Default Title","offer_id":45310779818156,"sku":"HS050","price":49.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/OweluDreamhouseBlackLP.png?v=1764046442"},{"product_id":"south-summit-run-it-back-lp-white-black-marble-vinyl","title":"South Summit \/ RUN IT BACK LP White \u0026 Black Marble Vinyl","description":"\u003cp\u003e\u003cstrong\u003eSouth Summit 'RUN IT BACK' LP White \u0026amp; Black Marble Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePerth’s South Summit step into a new creative peak with their sophomore album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRun It Back\u003c\/em\u003e. Reflecting the band’s hunger for elevation, the record builds on their foundation of charismatic rhythms and open songwriting, while embracing a renewed sense of experimentation. Reuniting with producer Dave Parkin, the twelve-track album weaves threads of funk, hip hop, and R\u0026amp;B through South Summit’s signature reggae \/ rock tinged signature sound. \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eLed by singles\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTop Of The Hill\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWe Are\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRun It Back\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecaptures a band re-energised, balancing feel-good grooves with mature storytelling and marking a confident step forward in their evolution.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003e\u003cbr\u003eTrack listing:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eHEARTLESS\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eWE ARE\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eWAITING ALL NIGHT \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eANDO BOI \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003e\u003cmeta charset=\"utf-8\"\u003eHOW WE LIVE \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eON THE DASH \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eNEW WORLD \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eCALL OF THE EMPIRE \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eCHAMBERS \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eTOP OF THE HILL \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eONLY TO LOVE \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eMORE LIFE\u003c\/span\u003e\u003c\/div\u003e\n\u003c!----\u003e","brand":"South Summit","offers":[{"title":"Default Title","offer_id":45321211609260,"sku":"GYRSS02","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/SouthSummitLP.png?v=1772062509"},{"product_id":"stephen-cummings-lovetown-lp-black-vinyl-pre-order","title":"Stephen Cummings \/ Lovetown LP Black Vinyl","description":"\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eStephen Cummings 'Lovetown' LP Black Vinyl\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCheersquad Records and Tapes are proud to reissue the 1988 album ‘Lovetown’ by renowned singer-songwriter Stephen Cummings.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e‘Lovetown’ is revered as a classic amongst Stephen’s fans and followers of the Australian music scene.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e“Around the time he released his third solo album, Stephen Cummings was dubbed the St Kilda Sinatra. A fair description, though Cummings is a better songwriter. Lovetown is the sound of Melbourne melancholia; \"everything that you see is just a memory\", Cummings sings. He's never made a bad album, but this is his masterpiece.”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003eJeff Jenkins from eg, The Age, 27 June 2008 - from \"50 best Australian albums of the last 50 years\". Lovetown was #40.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!-- [if !supportLineBreakNewLine]--\u003e\u003c!--[endif]--\u003e\u003cstrong\u003eTracklist \u003c\/strong\u003e\u003cbr\u003eEverybody Wants To Get To Heaven But Nobody Wants To Die\u003cbr\u003eMy Willingness\u003cbr\u003eIf You Don’t Want My Love\u003cbr\u003eWhen Trouble Comes\u003cbr\u003eWhere Are You Going\u003cbr\u003eYou Jane\u003cbr\u003eSome Prayers Are Answered\u003cbr\u003eShe Set Fire To The House\u003cbr\u003ePush It Up, All Fall Down\u003cbr\u003eViva Las Vegas\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Cheersquad Records \u0026 Tapes","offers":[{"title":"Default Title","offer_id":45615469297836,"sku":"CRT316","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/StephenCummingsLovetownBlackLP_7eef6115-de19-44c1-bf2a-78f1e97d84e0.png?v=1773881440"},{"product_id":"milly-strange-milly-strange-lp-black-vinyl","title":"Milly Strange \/ Milly Strange LP Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eMilly Strange 'Milly Strange' LP Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e180gram black vinyl\u003cbr\u003e\u003cbr\u003eMilly Strange's self-titled debut album is a cathartic exploration of grief, inner conflict, and personal transformation — tracing the emotional terrain of heartbreak, old friendships, and versions of the self left behind. Blending raw lyrical honesty with vivid imagery and a dynamic alt-rock sound, the album earned airplay across Triple J, Double J, PBS, Triple R, 4ZZZ and FBi, and landed at number 28 in Rolling Stone Australia’s The 50 Best Australian Albums of 2025.\u003cbr\u003eVinyl includes Milly’s first two singles as bonus tracks, these do not appear on the digital version of the album.\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Don’t Call My Name \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Ghost \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. I’ll Be The One You Call\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Under My Skin \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Horses \u003cbr\u003e\u003c\/span\u003e6. Cold \u003cbr\u003e7. Diane \u003cbr\u003e8. The Last Time\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Watching, Waiting \u003cbr\u003e\u003c\/span\u003e10. In Fire\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Milly Strange","offers":[{"title":"Default Title","offer_id":45617067786412,"sku":"MSB4EVALP01","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/MillyStrangeLP.png?v=1773883477"},{"product_id":"hedge-burners-fall-out-of-the-future-lp-black-vinyl-1","title":"Hedge Burners \/ Fall Out Of The Future LP Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eHedge Burners 'Fall Out Of The Future' LP Black Vinyl\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003eFall Out Of The Future started with a picture and the chunky colours of a particular commute - The shipping containers, choppy cold city greys, all the blues of the sea and the pale concrete. Driving over the bridge that way is such a marker of getting distance on the day and Fall out of the Future (the single and the album’s) words all seem to be about moving, stolen moments, the sea and loosening the grip on certainty.\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003eAll of us wash up at jams after work in Rye or North Melbourne with different shrapnel from the day on our minds, and with our regularity there’s a language we’ve made - This album feels like all the colours, pictures and stories from our summer to winter together.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e1. By Water\u003cbr\u003e2. Fall Out Of The Future \u003cbr\u003e3. Twisted Vine\u003cbr\u003e4. As The Headlights Go \u003cbr\u003e5. Angel Lee\u003cbr\u003e6. Long Time Listening \u003cbr\u003e7. Strange Memory\u003cbr\u003e8. Concrete Waterfall\u003cbr\u003e9. Wild Deep Blue\u003cbr\u003e10. Worlds Behind\u003c\/p\u003e","brand":"Hedge Burners","offers":[{"title":"Default Title","offer_id":45695359811756,"sku":"LEG-045","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/HedgeBurnersBlackLP.png?v=1773266798"},{"product_id":"the-pretty-littles-mulga-wire-lp-black-vinyl-pre-order","title":"The Pretty Littles \/ Mulga Wire LP Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eThe Pretty Littles 'Mulga Wire' LP Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan id=\"m_431514090126814718m_8571845734867537608m_805528157174281220m_-5010239761096180520m_7424910169780648513gmail-docs-internal-guid-54d4791b-7fff-43ae-0ddf-5d6b34659388\"\u003e\u003cspan\u003eWe made another record. Our eighth. We're incredibly proud of it. It's called Mulga Wire. It's coming out on June 1. Our boy Greg Rietwyk produced it as usual. He's been playing in the band lately too. The unofficial 5th member. We got to work on Mulga Wire the day Force came out last year. We hustled hard to get another one out in just over a year. It's too much fun playing and recording at the moment so it was no problems getting to work. There was also a 5 year gap between 6th album Weekend Away and 7th album Force so we had a bit to work with. Hope ya love it.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eTrack listing:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e1. Over Talking\u003cbr\u003e2. In Our TImes\u003cbr\u003e3. Mathematician \u003cbr\u003e4. Good Sleeps\u003cbr\u003e5. Terracotta\u003cbr\u003e6. Animal Kingdom\u003cbr\u003e7. You Dig In\u003cbr\u003e8. 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Kim Salmon’s had the prescriptions for you throughout the nineties, the naughties and NOW! Fix Me Up, There’s A Virus Going Round, cos Everybody’s Out Of Town so get into your Freudian Slippers while Smoked Salmon bring you their catchiest strains! \u003cbr\u003eGet Totally Sick!! Now!!’’ \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eSMOKED SALMON...\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe name Smoked Salmon was begging to be used! Kim Salmon had been ignoring it for decades but finally gave in after being called on for a benefit for the Firefighters at the start of 2020. Smoked Salmon came to be the players stationed over in the west, in France, up in NSW and handy in his hometown Melbourne whenever he needed a band. And who doesn’t need a band? He could play shows most anywhere! 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You can do both!  Kim still has the desire to go upstream but has found a great source of new repertoire fishing in the streams from whence such classics as \"Frantic Romantic\", \"Last Night\", \"Dropout\", \"Come On Spring\" and \"Swampland\" sprang!\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!-- [if !supportLineBreakNewLine]--\u003e\u003c!--[endif]--\u003e\u003cstrong\u003eTracklist \u003c\/strong\u003e\u003cbr\u003eSelf Replicator\u003cbr\u003eFully Sick and Tired\u003cbr\u003eShine Some Darkness On Me\u003cbr\u003eFreudian Slippers\u003cbr\u003eFix Me Up\u003cbr\u003eEverybody’s Out Of Town\u003cbr\u003ePathologise Me\u003cbr\u003eMaking Me Better\u003cbr\u003eThere’s A Virus Going Round\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Cheersquad Records \u0026 Tapes","offers":[{"title":"Default Title","offer_id":46093539311788,"sku":"CRT330-BLACK","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/smoked-salmon-black_0cf08659-a5a8-4ebe-b541-1ede1d49fc24.png?v=1774916466"},{"product_id":"jnbo-friends-lp-black-vinyl","title":"Jnbo \/ \u0026 Friends LP Black Vinyl","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eJnbo '\u0026amp; Friends' LP Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cp\u003eJnbo is the moniker assumed by Melbourne \/ Naarm-based composer, producer\/engineer and bass player Henry Jenkins. \u003c\/p\u003e\n\u003cp\u003eJenkins is known to most as the producer\/engineer behind Surprise Chef, Karate Boogaloo, and the Grammy-winning Frollen Music Library. Serving as College Of Knowledge Records’ in-house recording and mix engineer, Jenkins has provided the sonic constitution for Melbourne \/ Naarm’s instrumental cinematic soul movement. \u003c\/p\u003e\n\u003cp\u003e\u0026amp; Friends sees Jenkins turn his abilities to his own brilliant compositions. The album comprises 12 introspective instrumentals - deep, cinematic odysseys steeped in romance and sincerity, with an unmistakable ‘freak funk bump’. \u003c\/p\u003e\n\u003cp\u003eJenkins explains the conceptualisation of \u0026amp; Friends:\u003c\/p\u003e\n\u003cp\u003e“I wanted to write a record I would look forward to recording with my friends. The music I was writing had a funk sensibility in the bass and drums, contrasted by a more cinematic approach in the harmonic and melodic content, with guitars slipping and sliding in between. I tried to make that contrast the character of the record. I felt that every song should have the same instrumentation and with the same personnel. This became an enjoyable creative constraint; how much variation could I pull out of the same 8 instruments over the course of the album? I wanted to find as much diversity as I could within these tight bounds.”\u003c\/p\u003e\n\u003cp\u003eJenkins applied these principles to the recording of \u0026amp; Friends, bringing together longtime musical collaborators Hudson Whitlock, Darvid Thor and Callum Riley (Karate Boogaloo), Lachlan Stuckey and Jethro Curtin (Surprise Chef), Lewis Coleman and Lena Douglas (The Cactus Channel) to realise unconventional arrangements across three guitars, piano, string synthesizer, Hammond organ, drums and bass, with Jenkins himself assuming bass guitar and production duties. \u003c\/p\u003e\n\u003cp\u003eThe resulting album is a strikingly unique melange; moments of picturesque ambience move into head-nodding funk, with the three guitars and three keyboards precisely arranged across the stereo field throughout. The record displays the influences of film composer Bernard Herrmann, lounge pioneer Les Baxter and Motown’s Lamont Dozier, alongside Jnbo’s own eccentric idiosyncrasies. \u003c\/p\u003e\n\u003cem\u003eTracklisting:\u003cbr\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eAround\u003cbr\u003eMissing\u003cbr\u003eDogs\u003cbr\u003eTen Cent Piece\u003cbr\u003eLetting Down\u003cbr\u003eLetting Go\u003cbr\u003eName\u003cbr\u003eFalse Cut\u003cbr\u003eBlood Nose\u003cbr\u003eAll\u003cbr\u003eClose\u003cbr\u003eLast\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sound Merch Vinyl","offers":[{"title":"Default Title","offer_id":46100360134828,"sku":"COK016","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/JNOBO_Friends.png?v=1775103699"},{"product_id":"nat-pavlovic-big-heart-lp-baby-blue-regrind-vinyl","title":"Nat Pavlovic \/ Big Heart LP Baby Blue Regrind Vinyl","description":"\u003cp\u003e\u003cstrong\u003eNat Pavlovic 'Big Heart' LP Baby Blue Regrind Vinyl\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003eNat Pavlovic's new album, Big Heart is an exploration of love in all its forms: for friends, for family, for lovers, for self. Nat's careful and intentional vocal delivery draws you in: each song flows like a diary entry, evoking a sense of living-room intimacy and tender connection like when you feel someone else's heartbeat with your own hand. Influences move through acts like Nilüfer Yanya, Caroline Polacheck, PJ Harvey and Big Thief, resulting in a sound that is contemporary yet nostalgic.\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e1. You're Good (ft. Buffy Duffy)\u003cbr\u003e2. Lucky\u003cbr\u003e3. Thirty Flirty\u003cbr\u003e4. Big Heart\u003cbr\u003e5. Can't Get Started\u003cbr\u003e6. Tender\u003cbr\u003e7. ILY\u003cbr\u003e8. 3 Hours\u003cbr\u003e9. Promise To Try\u003cbr\u003e10. Hope I Run Into You\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Blossom Rot Records","offers":[{"title":"Default Title","offer_id":46121674277036,"sku":"BRR033","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/NatPavlovicBigHeartLP.png?v=1775708515"},{"product_id":"sly-withers-to-be-honest-lp-recycled-vinyl","title":"Sly Withers \/ To Be Honest LP Recycled Vinyl","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSly Withers 'To Be Honest' LP Recycled Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003eTo Be Honest is Sly Withers' strongest and most intentional record to date. Their first full-length album since Overgrown in 2022, and their first since stepping away from their label to release independently, To Be Honest captures a band taking stock, working things out, and pushing their sound further than ever. Recorded with Stevie Knight (Stand Atlantic, RedHook), the album builds on Sly Withers’ trademark lyrical vulnerability and muscular songwriting, dialled up to a bigger, more expansive scale.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThey’ve amassed millions of streams, frequent national radio airplay, scored the coveted #69 (nice) in the 2021 triple j Hottest 100 with their lighter ballad ‘Clarkson’ and have had both of their last studio albums - 2021’s Gardens and 2022’s Overgrown - debut at number 10 on the ARIA album charts, ahead of pop conglomerates like Harry Styles and Taylor Swift. A band that leaves it all on the stage, with hearts pinned on sleeves and guitars cranked to 11, Sly Withers are a true and undeniable force for good within Australian music.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e*** \u003cspan\u003eRecycled variant colours are not guaranteed as pictured and will be determined by the pressing plant at the time of manufacture. You can read more about sustainability in the manufacturing process \u003c\/span\u003e\u003ca href=\"https:\/\/zenithrecords.org\/sustainability\/\"\u003ehere\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e1. Brake Lights\u003cbr\u003e2. Setting Fires\u003cbr\u003e3. All The Time\u003cbr\u003e4. Make My Mind Up\u003cbr\u003e5. Sick\u003cbr\u003e6. Look Down\u003cbr\u003e7. The Hallway\u003cbr\u003e8. Clearly\u003cbr\u003e9. Say Nothing\u003cbr\u003e10. Restless\u003cbr\u003e11. TBH\u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Sly Withers","offers":[{"title":"Default Title","offer_id":46126104248492,"sku":"SW42004","price":50.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/SlyWithers.png?v=1775800824"},{"product_id":"season-2-power-of-now-lp-vinyl","title":"Season 2 \/ Power Of Now LP Vinyl","description":"\u003cp\u003e\u003cstrong\u003eSeason 2 'Power Of Now' LP Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSeason 2 formed in late 2024, bringing together seasoned Melbourne musicians with previous and current projects including Parsnip, The Stroppies and Phil and the Tiles. The five piece, comprising Carolyn Hawkins, Claudia Serfaty, Charlotte Zarb, Freya McLeod and Matt Powell, quickly set to work writing winsome, DIY, shimmer-pop hits that careen through your mind in a gratifying dizzy rush.\u003c\/p\u003e\n\u003cp\u003eWith a clear collective vision and little time to waste, Season 2 spent 2025 writing and recording, appearing live only a handful of times. Finally, this April, the band are primed for their debut release, a full-length album entitled 'Power of Now'. ‘Power of Now ‘is a cerebral explosion of melody, hooks, drones and rhythm. In the vein of The Feelies, The Vaselines and The Clean, Season 2 have whipped up a sonic whirlwind. It's a giddy thrill of snappy slap, catchy gang vocals and crystalline guitar refrains.\u003c\/p\u003e\n\u003cp\u003e'Abundance of Power' is a bittersweet bop of ponderous bass, crisp chord flashes and grounded vocals that dwell on slighted futures and bored realities. 'Becomes a Dream' is delirious race of scrappy strumming and flying phrases that unsettle as much as they pinball endorphins - \"pour the ink into the sand, watch the dog it bites the hand\". \"Tell me something, elbows on the table, I'll tell you nothing, leave you tugging at the cable\" they sing on the peppy future single 'Tugging at the Cable', capturing a certain innocent, wide-eyed expressiveness. Season 2 do sparky well, their songs are instant rewards, tunnelling into your subconscious and testing the dance floor. They keep everything moving, the beat and the conversation. Season 2 sound barely controlled and all the better for it, you have no choice but to be swept up.\u003c\/p\u003e\n\u003cp\u003e'Power of Now' was recorded by Alex Macfarlane (The Green Child, Chateau) and mastered by Mikey Young. It will be released digitally and on LP (black vinyl) on April 24th, internationally via Upset The Rhythm and locally in Australia by Spoilsport Records. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e1. What For\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e2. Becomes A Dream\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e3. Abundance Of Power\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e4. Looks The Same\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e5. Tugging At The Cable\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e6. Videos Are Gone\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e7. Lucky\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e8. In The Pits\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e9. Holiday\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e10. Nothing Affair\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e11. And Again\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Season 2","offers":[{"title":"Default Title","offer_id":46180543004844,"sku":"SSR041","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/Season2LP.png?v=1776988992"},{"product_id":"bad-dreems-ultra-dundee-lp-pilbara-gold-vinyl","title":"Bad\/\/Dreems \/ ULTRA DUNDEE LP Pilbara Gold Vinyl","description":"\u003cp\u003e\u003cstrong\u003eBad\/\/Dreems 'ULTRA DUNDEE' LP Gold Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 5th album for Adelaide's purveryors of literate pub rock, featuring singles Shadowland, Ultra Dundee and Irish Airman. FFO The Saints, Midnight Oil and the Triffids. \u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eA.\u003cbr\u003eSlaughterhouse '85\u003cbr\u003eUltra Dundee \u003cbr\u003eShadowland\u003cbr\u003eJanuary 26\u003cbr\u003eNight Shooting \u003c\/p\u003e\n\u003cp\u003eB. \u003cbr\u003eIrish Airman\u003cbr\u003eSt Francis of Andamooka\u003cbr\u003eFirestorm \u003cbr\u003eTruro \u003cbr\u003eAfterlife\u003c\/p\u003e","brand":"Bad\/\/Dreems","offers":[{"title":"Default Title","offer_id":46290907889836,"sku":"GUTLPPG003","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/BadDreemsGoldSplatter.png?v=1779323206"},{"product_id":"brenda-bath-time-lp-clear-pink-green-splatter-vinyl","title":"Brenda \/ Bath Time LP Clear, Pink \u0026 Green Splatter Vinyl","description":"\u003cp\u003e\u003cstrong\u003eBrenda 'Bath Time' LP Clear, Pink \u0026amp; Green Splatter Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBrenda, nom-de-plume of prolific multi-instrumentalist Hudson Whitlock, announces new album ‘Bath Time’ on College Of Knowledge Records.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e‘Bath Time’ contains ten entrancingly melancholic ballads that earnestly express Whitlock’s dramatic sweet soul sensibilities; encompassing the classically introspective nature of the poetic lyricist and the idiosyncratic use of soulful instrumental arrangements. The songs encompass themes of old romantic habits dying hard, familial rifts and unrequited love.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOn Bath Time, Brenda utilizes his trusted inner circle of friends and collaborators: Surprise Chef’s Lachlan Stuckey and Jethro Curtin on guitar and keyboard respectively, Karate Boogaloo’s Darvid Thor on bass, and production from Henry Jenkins (Surprise Chef, Karate Boogaloo, Frollen Music Library).\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStylistically, lines can be drawn to the 1960s sweet soul ballads of The Delfonics, Jean-Claude Vannier’s vivid arrangements for Serge Gainsbourg, and, of course, the unmistakable flavour of Melbourne’s cinematic soul movement à la other Whitlock exploits Surprise Chef and Karate Boogaloo.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eI Always Want What I Can’t Have\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Family\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 But You’ll Never Leave My Heart\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Take A Hunt\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Where Did I Go Wrong?\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 My Tempo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Hardly\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Dedicated\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Burnin’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Give Take\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Brenda","offers":[{"title":"Default Title","offer_id":46298942472364,"sku":"COK015","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/files\/BrendaSplatter.png?v=1779424968"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1779\/6353\/collections\/Tweak_Distro_Banner.png?v=1789696537","url":"https:\/\/sound-merch.com.au\/collections\/tweak-distro-top-100-records.oembed","provider":"sound-merch.com.au","version":"1.0","type":"link"}